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Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great follow-up to the group's first hit LP on Sussex – not nearly as successful chart-wise, but a great display of their unique approach to group soul. The band's a quintet at this point, and their vocals are arranged by Skip Scarborough with that sweet compressed style that he was ... LP, Vinyl record album
Classic funky groovers from Dennis Coffey – with his hard guitar sound gettin' all fuzzy over some loud drums and funky Sussex production! This one's still very much on the "Scorpio" vibe, when the label was keeping things nice and hard – and before Dennis got a bit hooked ... LP, Vinyl record album
Spiritual, soulful, and oh, so beautiful! This record captures Earth Wind & Fire at a perfect transition moment – when they've still got some of their avant jazz roots, but are leaning towards the smooth soulful funk sound that put them on the charts a few years later. The whole thing's ... LP, Vinyl record album
The classic debut from Change – and the start of an amazing run of groovers in the early 80s! The set's got a tight, jazzy feel throughout – a stripped-down approach to disco modes, with the same focus on the basslines that you'd find in work by Chic – but a style that's almost ... LP, Vinyl record album
Strange album for Marlena – recorded after her soul albums, and done in a live setting with a small group (Buddy Montgomery, Larry Ball, and Paul Humphrey). Marlena's ostensibly trying to get back to her jazz roots (as was Dee Dee Bridgewater around the same time), and she kind of does, ... LP, Vinyl record album
Say what you want, we love this album! When it came out, we were such big Jam fans that we could never forgive Paul Weller – but now, nearly 20 years later, we're stunned at how great some of the soul songs on the album are. Sure, you've got to throw away about half the tracks – ... LP, Vinyl record album
Sanctified, indeed – and just the kind of record to show why Slide Hampton was unlike any of his trombone-playing contemporaries! The set's got a tightness and punch that's really unique – not the compact quality of JJ Johnson and Kai Winding, but also not the hardbop of Curtis Fuller ... LP, Vinyl record album
One of the grooviest 50s albums ever from the legendary Zoot Sims – a session that uses overdubbing to let Zoot create a one man horn section – blowing on record at the same time on alto, tenor, and baritone sax! The approach is far from the gimmicky sound that you might expect – ... LP, Vinyl record album