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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A completely unpretentious straight-ahead sound that in some ways mirrors the earlier Chicago soul tradition. In any case, here are three more dope cuts in that Chicago underground tradition. Production by Joint. "Exclusive" produced by Panic of the Molemen and scratches by Presyce. 12-inch, Vinyl record
From the "Set It Off" soundtrack. Instead of the uptempo, jerky-motion-video sound of Busta's recent singles, this one uses a slower, more melancholy soul-meets-dub production that's kinda nice. 12-inch, Vinyl record
Maybe it's an easy comparison, but this 12" sounds as good as anything put out at the same time by Rawkus. Not that they're biting anything, it's just quality hip hop that stands on it's own without any kind of gimmicks. It's also good to see the 'traditional' MC/DJ combination with 7L doing ... 12-inch, Vinyl record
One of the classic early Tommy Boy twelves – with the great Gwen McCrae sample from "Funky Sensation", and an excellent performance by Bam and the Jazzy 5. The 5 handle rap duties on the "Bronx Version" a-side, with the slight smoother female approach to the vocal handled ... 12-inch, Vinyl record