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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
From the "Set It Off" soundtrack. Instead of the uptempo, jerky-motion-video sound of Busta's recent singles, this one uses a slower, more melancholy soul-meets-dub production that's kinda nice. 12-inch, Vinyl record
Pic sleeve single that was the first taste any of us got of the Low End Theory LP. Great stuff built around the sample from AWB's "Love Your Life", plus the excellent "Skypager". And unlike the promo version, this one actually has all the tracks listed on the cover! 12-inch, Vinyl record
A completely unpretentious straight-ahead sound that in some ways mirrors the earlier Chicago soul tradition. In any case, here are three more dope cuts in that Chicago underground tradition. Production by Joint. "Exclusive" produced by Panic of the Molemen and scratches by Presyce. 12-inch, Vinyl record
The production on both of these uses that big beat Lynn drum style that the MC's on Profile (like Word of Mouth) were using at the time. If you can believe it, the mostly instrumental "Gordy's Groove" uses the theme from the old Andy Griffith/Mayberry tv show for one of the better mid-80' ... 12-inch, Vinyl record