This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
Adding To Your Existing Order
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the ... CD
An essential bit of piano jazz from MPS – and one of the rarest sides on their Saba label from the 60s! German keyboardist Dieter Reith plays with a cracklin' trio that includes Peter Witte on bass, and powerhouse Charly Antolini on drums. The tracks are a mix of originals and jazz ... CD
Mulligan always sounds great next to a tenor – especially in the Verve series that has him teamed up with players like Johnny Hodges, Paul Desmond, or Stan Getz. This release, cut with Ben Webster upfront, is one of the best of that series – and features the pair blowing easily and ... CD
Easy-going Verve swing at its best – the kind of small group session that let a player like Harry "Sweets" Edison shine in a way that he didn't always get to do in a larger group! For this set, Edison's joined by Ben Webster on tenor sax, Barney Kessel on guitar, Jimmy Rowles on ... CD
A classic European date from Freddie Hubbard – recorded right around the vintage of his Red Clay years, but with a sound that hearkens back more towards his Blue Note sessions of the mid 60s! There's a nicely angular feel to this set – that bold, modern quality that really set Hubbard ... CD
Wonderful lost work from the great Benny Golson – and some of the hippest jazz you can find in a large format group! Golson's at his modernist best here, and he's leading a tentet that includes Eric Dolphy on alto, Wayne Shorter on tenor, Grachan Moncur on trombone, Freddie Hubbard on ... CD