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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A 70s album, but one that features very early sides from Atlantic Records – raw acoustic blues from Willie McTell, recorded on a 12 string guitar down in Atlanta! The album's not just a great example of McTell at his best – witty vocals, and really sharp lines on the acoustic guitar ... LP, Vinyl record album
A funky bit of blues from Otis Rush – the guitarist's debut album, and a surprisingly great batch of tracks recorded at Fame Studios! Production is by Mike Bloomfield and Nick Gravenites, who are clearly going for more of a crossover sound than Rick Hall might have given the set – but ... LP, Vinyl record album
A really well-titled album, given that Joe Turner was a key force in the birth of rock and roll in the 50s – not to mention a strong link between jazz, soul, and R&B as well! At the time of these recordings, Turner was already a relatively old singer – at least compared to some of ... LP, Vinyl record album
Joe Turner returns to his roots, and lays down a fairly straight set of bluesy tunes from the old days of the Kansas City scene – done with a small jazz combo that includes work by Joe Newman, Lawrence Brown, Pete Brown, and Pete Johnson! After the raw hard R&B of Joe's bigger hit sides ... LP, Vinyl record album
Early 70s set by the legendary Willie Dixon – recorded in Chicago with stellar backing by Lafayette Leake, Buster Benton, Mighty Joe Young, Phil Upchurch, and Louis Satterfield – and true to the album's title, this is kind of a catalyst for the sound of electric blues in Chicago clubs ... LP, Vinyl record album
A great mix of older and newer Chess Records blues modes – and a set cut by one of the lesser-known artists to work for the label! At some level, Jimmy Reeves Jr hearkens back to some of the more folksy blues artists who recorded for Chess in the 50s – but the setting here is slightly ... LP, Vinyl record album
Muddy Waters hits London – and records here with Rory Gallagher on guitar, Rick Grech on bass, and Steve Winwood on piano and organ – plus horns back home, arranged by Johnny Pate! LP, Vinyl record album
A small combo set, recorded in Ohio for the small Trix label – with Lockwood on vocals and guitar, Maurice Reedus on tenor, Mark Hahn on guitar, Gene Schwartz on bass, and Jimmy Jones on drums! LP, Vinyl record album