Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Byrds Can't Row Boats – The Unreleased Masters Collection 1965 to 1968

CD (Item 791326) Cicadelic, Late 60s — Condition: New Copy
2 CDs
Temporarily Out Of Stock

CD

✈
❔

A surprisingly great collection of early work from Johnny Winter – singles and studio tracks from the few years before he burst on the scene with Columbia Records at the end of the 60s – served up in a range of styles that include psych and folk rock, in addition to Winter's more familiar bluesy sounds! The collection features 36 tracks, all sourced from the original tapes – and presented at a level that's much better than any other previous attempt to look at Johnny's early years – with 21 titles that appear here for the first time ever! There's almost more of an LA early 60s vibe to the music than you'd expect – hence the play on The Byrds in the title – and the psychedelic numbers are perhaps some of the most revelatory here. Titles include "The World Turns All Around Her", "Easy Lovin Girl", "Parchman Farm", "Pneumonia Blues", "Sloppy Drunk", "Comin Up Fast", "Livin In The Blues", "Birds Can't Row Boats", "Goin Down Slow", "Don't Drink Whiskey", "32 20 Blues", "Bad News", "Ballad Of Bertha Glutz", and "Hook You".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


A&M/Esoteric (UK), 1970. New Copy
Procol Harum are definitely on home turf here – really honing, really focusing their energy – with a sound that seems to create this almost perfect interplay between the guitars of Robin Trower and vocals of Gary Brooker – two key elements of the group's sound that are even better ... CD
Lion/Acme, Late 60s. New Copy
Beautiful early work from Please – aka Peter Dunton, who went onto more famous underground activity in the seminal jazz psych group T2! The music here shares a lot of the melodic qualities of that great group – music that's certainly rock, but which borrows freely from some of the ... CD
Cicadelic, Late 60s. New Copy
CD...$4.99 14.98
Rare mid 60s rock from Corpus Christi, TX – from Brit Invasion styled sounds to nascent garage and psychedelia from a slew of great groups from what was clearly a healthy scene – one of the best rock comps yet from Cicadelic! The musicianship is incredible here – even though many ... CD
President (UK), Late 50s/Early 60s. New Copy
CD...$9.99 14.99
A wealth of great pop, rock, soul, and novelty numbers from the end of the 50s and the start of the 60s – unusual little tunes recorded for the Joy and Select record labels, most of which we've never heard before! There's a rich sense of discovery in this collection – not just because ... CD

J Frank Wilson & The Cavaliers

Last Kiss – The Definitive Collection
Cicadelic, 1964. New Copy
CD...$4.99 14.99
The first-ever set to fully plumb the talents of J Frank Wilson & The Cavaliers – a 60s Texas group who are best-remembered for their classic "Last Kiss" hit, but who've got plenty more to offer here! There's an echoey brilliance to most of these numbers that really stands out ... CD

Kim Jung Mi

Kim Jung Mi
World Psychedelia (Korea), 1974. New Copy
Groovy folk funk from mid 70s Korea – mad, pulpy tunes from Kim Jung Mi – possibly her best work ever! This wonderful self-titled set is a pretty deep left turn from her other material that we've been lucky enough to get our hands on – this one really goes deeper into the ... CD

Ant Trip Ceremony

24 Hours
Cicadelic, 1968. New Copy
CD...$4.99 14.99
A college band, but one with an amazing sound that should have made them huge – had they managed to survive graduation time at Oberlin College! For a combo out in the sticks of Ohio, these guys sound pretty darn great (but let's also not forget that Oberlin's given us Liz Phair, John ... CD
Cicadelic, 1968. New Copy
CD...$4.99 14.98
About as heavy and fuzzy as you can get for late 60s psych – but that's also partly due to the live recording quality of the set! But even with a bit of mud in the mix, things are still pretty damn compelling – way more than just a concert, really more of a "happening" – ... CD
Duophonic, Late 90s/Early 2000s. New Copy 2CD
Fantastic sounds from Stereolab – an assortment of rare singles and other unusual recordings that were mostly issued on their own Duophonic label, and which are far more obscure than their bigger label albums during the same period! Even though Stereolab gave the world some undeniable ... CD
Flicknife/Troubadour, 1983. New Copy 2CD
The first magnificent pairing of Nikki Sudden and Dave Kusworth – a set that's issued under Nikki's name, but which has all the magical energy of their Jacobites recordings together! There's an instantly timeless feel going on here – almost an indie punk refiguration of the best ideas ... CD

Lothar & The Hand People

Come Along – The Exodus 1966
Beat Rocket, 1966. New Copy
Lothar & The Hand People gave the world one of the greatest psych albums ever issued by Capitol Records – but this set of earlier recordings shows the group in a very different light – raw, noisy, and very garagey – much more in the territory of The Seeds or The Sonics! The ... CD
GAD (Poland), 1977. New Copy
Seminal funky rock from 70s Poland – recorded by a hard-jamming group who also had plenty of fusion in the mix! The guitars are clearly in the lead here – strutting out next to some tight and frenetic work on drums – but the album's also got a fair bit of keyboards too, including ... CD
 



⇑ Top