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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Pieces include Telemann's "Violin Concerto In G Minor", Frescobaldi's "La Frescobalda", Cimarosa's "Larghetto In C Minor", and Bach's "Prelude No 2 In C Minor from Well Tempered Clavier Part II BWV 871", "Brandenburg Concerto No 6 BWV 1051", and ... LP, Vinyl record album
Very nice, very laidback session that has Moody and Cohn trading solos on an easy batch of bop tracks, along with Barry Harris, Roy Brooks, and Sam Jones. The recording quality is at the usual high standard for MPS – although the set was actually produced by Don Schlitten, presumably in New ... LP, Vinyl record album
Arguably the last true moment of genius in Michael Jackson's career – a record that sold a bazillion copies around the world – and for plenty good reason! Michael's still working here with Quincy Jones – in territory that steps nicely from the Off The Wall groove, into territory ... LP, Vinyl record album