This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Brilliant work from the hands of Ashley Beadle – one of the UK's best young producers, and a skillful artist who's steeped in tradition, and can actually show it (which is more than we can say for most of his contemporaries!) The core of the music is a blinding sense of underground house, ... CD
Electro grooves built from analogue instrumentation – another ambitious album from Warp subsidiary Lex Records – home to nearly-great hip hop albums by Danger Mouse & Jemini and Prince Po! With the exception of the really cool packaging, Boom Bip's album bears little in common with ... CD
A beautiful live counterpart to Jimmy Giuffre's crucial Verve recordings Fusion and Thesis – performed here with a similar trio that includes Paul Bley on piano and Steve Swallow on bass – really expanding upon ideas of jazz expression that Giuffre first put forth in his late 50s trio! ... CD