This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of the grooviest Henry Mancini soundtracks of the 60s – a wonderful blend of jazzy themes and action moments, and a record that's possibly better-remembered than the film for which it was recorded! The main "Charade" theme is a total gem – performed here in both a guitar-h ... CD
Back in the day, we remember digging the movie 10 for the fact of Bo Derek's bareness – but these days, we're more likely to love it for this sweet little soundtrack from Henry Mancini! The score's a bit different than the sound of Hank in years past – and the high points are some ... CD
Two 50s crime soundtracks on one CD! Stanley Wilson conducted the music to this 50's cop show called M-Squad, but the music was composed by him, Count Basie, and Benny Carter. Carter plays with the group, which also includes Red Mitchell, Pete Candoli, Frank Rosolino, and John Williams – ... CD
One of Morricone's most famous scores – and certainly the one that got him recognized worldwide as a genius! The whole thing's pretty damn eerie – about as eerie as the movie, which is a real stunner – and it shifts from dark orchestral themes to sparer numbers that use guitar, ... CD
A lesser-known moment of genius from John Barry – quite different than his work for the James Bond films of the time! Barry's working here in a mix of more ambitious orchestral themes – dark, brooding, and moody – but also interspersed with some lighter jazzier numbers that are ... CD