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A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A nice little album from Johnny Hartman – recorded back in the mid 50s for Bethlehem, in the years before he recorded his more famous dates for the Impulse label! The set has Johnny singing nice and mellow – with backing by a group led by pianist Ralph Sharon, one of Tony Bennett's ... LP, Vinyl record album
Maybe the greatest album ever from vocalist Frances Faye – and definitely the one to capture her genius in the best sort of west coast setting to really make it sparkle! The arrangements are by Russ Garcia – who directs extremely fluid work from a four trombone section that features ... LP, Vinyl record album
That's "gone" – as in the way June Christy really sends us – vocals that take us to a place that few other 50s singers could ever hope to reach! June's work here is a masterpiece of melancholic understatement – far less overblown than some of her pop contemporaries, but ... LP, Vinyl record album
One of Jimmy Rushing's last truly great albums – a jazz-tinged session of bluesy material, one that gets at his best work of the 50s! The arrangements are by Al Cohn, and have a fluid swing that pushes Jimmy past cliche – working with players that include Zoot Sims, Budd Johnson, ... LP, Vinyl record album
One of the most beautiful albums ever from the great Mel Torme – and a set that's a bit different than his other work for the Bethlehem label too! The set features Mel singing to lush backings from arranger Al Pellegrini – who brings in a mode that definitely lives up to the blue tones ... LP, Vinyl record album
Really lovely work from Pat Moran – leader of one of the grooviest groups of the 50s! The Pat Moran Quartet were unique in that they were both a jazz combo and a harmony vocal group – one that mixed two male voices and two female voices in a nicely swinging way that has plenty of ... LP, Vinyl record album
A very unique outing – a set that mixes the sweet harmonies of The Ames Brothers with wild backings from Esquivel! Most of the tracks are in Spanish, and have Esquivel doing a standard Latin sound, but which also approaches his own solo work in some of the more unusual moments! LP, Vinyl record album
Sweet moody stuff from the period when the duo of Ms. Sinatra and Mr. Hazelwood was electric in the studio. This was back when he used to call her "Nasty" through the headphones in the vocal booth, and when the two of them put out such spooky spooky material as "Some Velvet ... LP, Vinyl record album
June's got rhythm, sure, but the real thing that makes her great is her dark and moody sense of melody! This album's one of June's late 50s efforts done with husband/arranger Bob Cooper – not as arch modern as some of her work with Pete Rugolo, but still in a style that's definitely inspired ... LP, Vinyl record album
Grady's most obscure album – and one that's got much more of a jazzy tip than his other ones. Richard Tee plays electric piano, and the band includes Billy Butler, George Coleman, and Ron Carter – all of whom do their best to keep things hip, and not fall into some of the schmaltzier ... LP, Vinyl record album
Obscure vocal session cut by New Orleans singer LaVergne Smith, and recorded in the Crescent City along with a local group that included Red Tyler, Wallace Davenport, and Earl Palmer. The material is bluesy and standard, and LaVergne's soulful voice wraps a bit of New Orleans in every track. ... LP, Vinyl record album