This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Japanese 80s issue of great material recorded by Alan Bates in 1964 – four long tracks, all of which feature Monk's amazing quartet with Charlie Rouse on tenor, Larry Gales on bass, and Ben Riley on drums! CD
A great collection of Thelonious Monk's early pre-LP recordings for Blue Note – seminal not only for the label's commitment to a modernist bop ideal, but also for Monk's integration in the growing collection of top-level jazz players on the New York scene! The work is notable also for the ... CD
Thelonious Monk with Charlie Rouse, John Ore, and Frankie Dunlop – performing "Blue Monk", "Round Midnight", "Sweet Georgia Brown", and "Jackie-Ing". CD
A full length set that compiles earlier sessions cut under either the name of Thelonious Monk or Sonny Rollins – most of them together in the same group! At the time of recording, Monk was an established figure on the bop scene, but Rollins was still a fresh voiced up-and-comer – yet ... CD
The first Thelonious Monk album for Columbia Records – and one of the best, as well – a beautiful illustration of the way that his shift in labels really set some new fire to his music in the early 60s! The group is Monk's sharp-edged quartet with the amazing Charlie Rouse on tenor, ... CD
A title and cover that beautifully illustrate the sharp-edged power of the Thelonious Monk quartet on Columbia – and a wonderful place to start if you're just digging Thelonious' music! The record is similar to the best of Monk's Columbia sides – in that it revisits older tunes and ... CD
A full length LP that brings together 2 earlier sessions by Thelonious Monk! The main part of the album is a legendary Monk quintet recording, done at a time when Thelonious was mostly pretty trio-heavy in the studio – and a set that features some great tenor by Frank Foster, alongside ... CD
Monk doing his thing at the '64 Monterey Jazz Festival – backed by his core group of Charlie Rouse on tenor, Steve Swallow on bass and Ben Riley on drums – plus additional backing by the Monterey Workshop crew on a couple – a recording released now for the first time ever! Monk's ... CD
A soul jazz classic from Gene Ammons – the kind of session that easy made him "boss" on tenor – with a tone and conception that few other players could touch! The set is done in a style that's laidback, but never too loose – bouncing along in that "with conga" ... CD
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly ... CD