This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Well, Hawk isn't really in Paris on this one – as the album was recorded in New York, with backings by Manny Albam – but the spirit of Paris is very much alive on the tunes, which are a mixture of postwar French favorites, and others that have a similar sound. Albam's backings are ... CD
The Hawk Relaxes, but never lets himself go – and a set like this is a great illustration of the gentle genius that made so many later Coleman Hawkins records so great! The relaxed setting for this record is a perfect setting for Hawkins to open up and stretch out – working his tenor ... CD
2 rare sides of work by trumpeter Clark Terry – both with a fair bit more edge than many of his later recordings! The first half of the CD is from the amazing 1955 album Clark Terry for Emarcy – a real stunner, and one of Terry's finest moments ever! The record has a rawness and ... CD
Seminal 50s work from the team of JJ Johnson and Kai Winding – two of the greatest trombonists to ever play in one group together, and masters of a uniquely-crafted approach to their instrument! The first six tracks on the CD are from the 1954 RCA album Afternoon At Birdland – one of ... CD
A lost Miles Davis concert – recorded in 1957, with many of the same players he used for his classic soundtrack to the French film Ascenseur Pour L'Echafaud! The group's a quintet with French players Barney Wilen on tenor, Rene Utreger on piano, and Pierre Michelot on bass – grooving ... CD
Lakecia Benjamin has become one of the most unique saxophonists in jazz over the course of her past few records – an artist who can hit deeply spiritual tones when she wants to, but one who's also got a strong sense of soul – able to mix inspirations from the farther reaches with some ... CD
One of the first-ever full length collections of work from bop piano legend Bud Powell – a record with a seminal Blue Note cover image, and the well-earned "Amazing" in the title! Powell's in great form throughout – very much at that restless, effortless best of his early ... CD
One of our favorite albums ever from the great guitarist Kenny Burrell – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful ... CD