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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great later work from vocalist Alberta Hunter – a really well-recorded 70s session that was also done as a soundtrack – but which stands beautifully on its own! Backings here are by a great small combo, led by tenorist Budd Johnson and pianist Gerald Cook – with some nicely ... LP, Vinyl record album
Hardly any "recycling" going on here – as Taj Mahal takes bluesy roots and turns them in a whole new direction for the 70s, evolving the music way past the level most other bluesmen were working in at the time! At some level, Mahal's style is far more rootsy than most early 70s ... LP, Vinyl record album
Not the Bay Area effort you might guess from the title – and instead a sweet Chicago session that's easily one of the funkiest records that Buddy Guy ever cut! There's a great mix of funk and soul mixed in with the blues – thanks to arrangements from Charles Stepney and Gene Barge, who ... LP, Vinyl record album