CD, LP, Vinyl record album cover art
Enlarge       Note

Mandorla Awakening 2 – Emerging Worlds

LP (Item 783499) FPE, 2017 — Condition: New Copy
2LP Gatefold
List Price: 24.99
(€18.48 || £16.29 || ¥2465) (approx.)
Also available
Nicole Mitchell — Mandorla Awakening 2 – Emerging Worlds ... CD 13.99

One of the deepest records we've ever heard from Nicole Mitchell – and that's saying a lot, given all her other fantastic albums! This richly-textured piece was first commissioned in honor of the 50th Anniversary of the AACM – that legendary jazz organization of which Mitchell is a part – and as a whole, it really demonstrates both the strong legacy of the group, and the farther territory it's reached over its decades-long span – music that has pushed past the initial moment of improvisation, through the AACM's standard of "great black music" as a replacement for classical – to the sorts of spiritual, cosmic sounds that Mitchell does so well. In addition to Nicole on flute and electronics, the group also features Avery R Young on vocals, Kojiro Umezaki on shakuhachi, Renee Baker on violin, Tatsu Aoki on bass and shamisen, Jovia Armstrong on percussion, Tomeka Reid on cello and banjo, and Alex Wing on electric guitar, oud, and theremin – a mix of instruments that is global in scope, electric and acoustic, and really used to effortlessly express the spiritual vision of Mitchell. The notes go into great detail about the thoughts and inspiration behind the music – and titles include "Egoes War", "The Chalice", "Dance Of Many Hands", "Listening Embrace", "Forestwall Timewalk", "Staircase Struggle", "Shiny Divider", "Timewrap", and "Mandorla Island".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Judnell/Now Again, 1970. New Copy 2LP
A record that definitely lives up to its title – as it's a lot freer and more spiritual than later work from drummer Bubbha Thomas and his Lightmen group! This set perfectly captures the unique vibe that the ensemble brought to the Houston scene at the start of the 70s – really the ... LP, Vinyl record album
Fusion Nation
Moserobie (Sweden), 2017. New Copy Gatefold
The Jari Haapalainen Trio has been making some really amazing music over the past few years – always on albums that have the word "fusion" in the name, but which sound completely different than any familiar fusion jazz you might know! Instead, the groove here is much more in the ... LP, Vinyl record album
Prestige/Craft, Early 50s. New Copy
A completely different look at the early 50s material that Thelonious Monk recorded for Prestige Records – music that you might know from later full length albums, but presented here in the original 10" LP releases that first hit the market! The sound of the work here is completely ... LP, Vinyl record album
Kind Of Blue (mono)
Columbia, 1959. New Copy (reissue)
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... LP, Vinyl record album
Legacy, 2017. New Copy
Preservation Hall Jazz Band doing their distinctive think live at their legendary home base in the French Corner! The show was a private gig for attendees representing US independent record stores, and recorded for this release released first to, you guessed it, indie record stores! Titles include ... LP, Vinyl record album
Monument/Soul Brother (UK), 1978. New Copy (reissue)
A funky fusion classic from keyboardist Eddie Russ – and quite possibly his most fully developed album ever! Eddie's working here at a level that's right up there with Weldon Irvine, Lonnie Liston Smith, and Bobby Lyle – a wonderful fusion of jazz and soul that's carried off perfectly ... LP, Vinyl record album
Hearts & Minds (with bonus download)
Astral Spirits, 2017. New Copy
Pretty unique work from this avant jazz trio – music they self-describe as imagined from a supergroup that features John Carter, Bernard Parmegiani, Mike Ratledge, and Tony Williams! Yet despite their calling out those references, we think the sound here is even more keeping with the ... LP, Vinyl record album
Astral Spirits, 2017. New Copy
Mike Majkowski is a real sonic maestro here – performing solo, but working through incredible sounds from bass, piano, vibes, percussion, analogue electronics, and even some field recordings too! The music was recorded and assembled in Berlin – and at some level, it's got a quality ... LP, Vinyl record album
Sonic Healing Ministries, 2013. New Copy
One of the greatest albums so far from mighty Chicago reedman David Boykin – and easily a set that lives up to the rich legacy of avant jazz in the Windy City! There's a depth to the record that comes through right from the very first note – a sense of history and feeling that shows ... LP, Vinyl record album
Turn This Mutha Out
Kudu/Soul Brother (UK), 1977. New Copy (reissue)
A great late 70s chapter in the career of funky drummer Idris Muhammad – moving into very different territory here than his early soul jazz with Lou Donaldson, and even his earliest solo material too! David Matthews arranged the tracks, and he's given them a slick but soulful sound, with lots ... LP, Vinyl record album
Analog Africa (Germany), Mid 70s. New Copy Gatefold
Fierce funky sounds from 70s Cameroon – the entire recorded legacy of Hamad Kalkaba, who only issued three funky 45s back in the day! Yet even at six songs, the music here is completely tremendous – tunes that rumble along on this earthy sort of energy – drums that are heavier at ... LP, Vinyl record album
Sousoume Tamachek
Mississippi/Sahel Sounds, 2017. New Copy
Beautifully trippy work from Mdou Moctar – an artist who's one of our favorite guitarists on the Touareg scene – and maybe one of the most experimental too! The songs here all have a long, stretched-out vibe – almost like some of the 60s guitar ragas of Peter Walker, or the sonic ... LP, Vinyl record album
 



⇑ Top