This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Carla Bley at the height of her powers – working in the late 70s to really reinvent the large ensemble after years of experience in the underground – with a style that easily slides between inside and out, searching and swinging – all delivered by just the right sort of lineup! ... CD
Great sounds from the Carla Bley band of the 80s – and a record that still has all the modern elements of Bley's initial years in jazz, but also brings in some warmer elements too! If anything, these years unlocked a playfulness that we might not have expected from Carla years before – ... CD
A large group session led by Dave Holland – with Antonio Hart on alto and flute, Gary Smulyan on baritone sax, Duane Eubanks on guitar, and Steve Nelson on vibes. CD
A strong overview of sounds made by trumpeter Lester Bowie at ECM Records in the 80s – and a set that focuses more on his own work as a leader than his recordings with the Art Ensemble Of Chicago! A few tracks feature Bowie's work with his Brass Fantasy group – a great larger ensemble ... CD
A completely solo album from Pat Metheny – but one that still sparkles with the same sort of energy as his fuller group sessions for ECM! At a point when Pat could be content to simply scrawl a few simple lines on the strings of his guitar, he instead does a great job of complicating things ... CD
Two of the greatest things going for ECM in the 70s – brought together on one record! The vibes of Gary Burton are a wonderful match for the careful guitar work of Ralph Towner – particularly his 12-string guitar, which is used in a space that's somewhere between folk and jazz, and ... CD