This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The Oregon sound, still alive and well into the 80s – perhaps given even more room to express itself in an ECM setting like this! The album's a mix of angular notes and warmer tones – very much the experimentalism that the group prided itself on at the time – and which really set ... LP, Vinyl record album
With Ralph Towner on piano, Prophet 5 synthesizer, cornet, classical guitar, and percussion; Paul McCandless on oboe, bass clarinet, sooprano sax, and English horn; Collin Walcott on tabla, percussion, sitar, and drums; and Glen Moore on bass, flute, and piano. LP, Vinyl record album
A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves ... LP, Vinyl record album
A lovely later recording from Stan Getz – very spare and spacious, and recorded with a casual approach that's quite striking, and really fresh! The album features Stan playing alongside pianist Albert Dailey – with no other rhythm accompaniment, just piano and tenor sax. The tunes are ... LP, Vinyl record album
Stan the Man's at the top of his game here – working with full backings from Wade Marcus, but still rich and creative on his solos! There's few other players who can match Turrentine in this setting – as Stan always steps out from the larger arrangements and brings his best to the ... LP, Vinyl record album
An unusual later set from the great Dexter Gordon – and a record that features the surprising addition of Hammond organ! Shirley Scott's on the record with Dex, and plays organ on half the cuts (Kirk Lightsey handles piano on the others) – bringing a soulful depth to the record which ... LP, Vinyl record album
A sweet fusion set from this legendary Japanese reedman – recorded in New York, with Steve Gadd on drums, Marcus Miller on bass, Yamaha DX-7, and Jupiter 7, Richard Tee on Fender Rhodes, Ralph MacDonald on percussion, and Eric Gale on guitar. Arrangements by William Eaton and Ralph MacDonald! LP, Vinyl record album
A great back to basics session from organist Jimmy Smith – recorded live in the early 80s, but with a freewheeling small combo sound that takes us back to his Blue Note years! The group on the album's a quartet – with Jimmy on both piano and organ, Kenny Burrell on guitar, and Johnny ... LP, Vinyl record album
A lean little set from Jimmy Smith's back to basics years of the early 80s – an album that's recorded in a relatively old school soul jazz mode! Jimmy's mostly playing Hammond here – but also uses a bit of Arp strings at times – and the rest of the group members include George ... LP, Vinyl record album
First-ever issue of material recorded live by Bud in 1953 – during a performance at Club Kavakos in Washington, DC – with a trio that features Charles Mingus on bass and Roy Haynes on drums. The set's from the private collection of Bill Potts, and is reasonably well recorded for the ... LP, Vinyl record album
As the title says, Lenny White's streamlined his sound here – but to us that's a good thing, as it eliminates some of the overly-heavy jam sound that could ruin earlier records – making for a lean, clean groove that's mighty nice, and plenty darn soulful! Plus, Lenny's working here ... LP, Vinyl record album