This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A breakout record that forever put Wilson Pickett at the top of the heap for mainstream 60s soul – thanks to the oft-covered, endlessly played "Mustang Sally" single that leads off the set! And although the groove established by that track helped Pickett establish an audience on ... LP, Vinyl record album
Some of Ray's biggest tracks for Atlantic, including many remakes of standards like "Just For A Thrill", "Don't Let The Sun Catch You Cryin", "Am I Blue", and "It Had To Be You". You've heard it all a million times, but it's still beautiful stuff – and ... LP, Vinyl record album
Features smoking work from David Newman on tenor and Hank Crawford on baritone – plus a bit of trumpet from Marcus Belgrave! Titles include "Frenesi", "Drown In My Own Tears", "Tell The Truth", "The Right Time", "What'd I Say", and "The ... LP, Vinyl record album
Although Ivory Joe Hunter always recorded a lot of country songs in his career (hence the title), his sound on those recordings was always similar to the Ray Charles, Brook Benton, Solomon Burke country soul sound – and not really straight country, which is what this album is. Still, Joe ... LP, Vinyl record album
A really bold step forward for Norman Connors – a set that's still got all the spiritual jazz elements of his roots, but which also adds in some more soul and funk elements too! Jean Carn delivers some wonderful vocals on the record – at a level that's much more like her early Black ... LP, Vinyl record album
Weird bit of funkiness from Virgin, with the sort of funk/jazz/rock crossover sound on a few of their other records from this period. There's lots of nice moogy bits and cool electric piano stuff. Vocals sometimes mess this up, but there's enough instrumental moments to keep it groovin'. With ... LP, Vinyl record album
Great stuff – the beginning of the Love Unlimited dynasty! As we're sure you know, Barry White produced this little gem of a record, and the record was a key proving ground for many of his stone cold soul production ideas before he went off and started doing the lead vocals himself. The ... LP, Vinyl record album
An obscure soundtrack for a late blacksploitation film starring Ron O'Neal. The score isn't as great as some of the classics – but it does feature some nice moments by some of Capitol's bigger stars at the time. Clayton Ivey and Larry Mizell produced most of the cuts, and tracks include ... LP, Vinyl record album
Sly's still doing pretty nice for himself in 1974 – with a sound that's perhaps a bit warmer than on the early records, but still nice and soulful – and peppered with a good dose of funk! The groove is really great on the set – bubbling with a more "deep down" feel than ... LP, Vinyl record album