Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

I Wanna Be Selfish (with bonus track)

CD (Item 778369) Warner/Big Break (UK), 1974 — Condition: New Copy
$6.99 ...

CD

List Price: 13.99

Stone classic early work from Nick Ashford and Valerie Simpson – really moving past the Motown sound – stepping wonderfully into a hip style of soul that would have a huge effect on the direction of R&B in the 70s! I Wanna Be Selfish is actually a very giving effort from the unstoppable duo, mixing intimate numbers with more sweeping sounds – some that borrow the soaring elements of gospel soul, others more mellow and delicate. Ashford & Simpson wrote terrific soul songs as often as many of us wash our hair, and this record's a prime batch! Titles include "Ain't That Somethin", "Don't Fight It", "Ain't Nothin But A Maybe", "Spoiled", "Everybody's Got To Give It Up", and "Main Line". CD features the bonus track "Main Line (long version)" – issued here for the first time ever!  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Ashford & Simpson

Street Opera
Capitol (Japan), 1982. New Copy
Dang, these guys could never miss! Even in later years, Ashford and Simpson were still going strong – working here in a wonderfully mellow style that's as soulful for the moment as their mid 70s groovers were for that time. The album's got a sweet modern style that's pretty much in the ... CD

Ashford & Simpson

High Rise
Capitol (Japan), 1983. New Copy
Always-great work from the team of Ashford & Simpson – the kind of a record that has them at the top of their game, even though they'd changed their overall sound over the years! The vibe here is more in an 80s groove mode than some of the duo's Warner albums, but they've still got an ... CD
Polydor/Cherry Pop (UK), 1981. New Copy
Long before Janet Jackson hit the spotlight, sister LaToya was the leading female star of the Jackson family – really stepping out with a great sort of sound on an early record like this! LaToya works with warm production from Ollie Jackson – an early 80s groovemeister who was doing ... CD
Motown/Soulmusic.com (UK), Early 70s. New Copy 3CD
6 Motown albums from Jr Walker & The All Stars – all long overdue for reissue! First up is A Gasssss – a gas of a record from Jr Walker & The All Stars – a set that has the magical Johnny Bristol producing – giving the group this really warm, soaring sound that's ... CD
Elektra/Soulmusic.com (UK), 1985. New Copy 2CD
The breakout album from Shirley Murdock – a singer who first rose to fame working with Roger Troutman and Zapp – and who gets plenty of help here from that side of the soul spectrum too! Roger produced and plays on the record, and also wrote most of the songs too – and Larry ... CD
Atlantic/Cherry Red (UK), 1990. New Copy 2CD
Wonderful work from the ladies who helped redirect R&B during the 90s! Sure, En Vogue were chart toppers for many years – but they also were some of the first female singers to really use the changes in hip hop production to work out a more solid approach to soul music – heavy ... CD

Con Funk Shun

Fever/Electric Lady
Mercury/Cherry Red (UK), 1983/1985. New Copy
80s magic from Con Funk Shun – a pair of albums back to back! Fever is one of the sweetest-grooving albums ever from Con Funk Shun – proof that the group was almost better when they tightened things up a bit! The set was produced by Deodato at the height of his hit-making soul powers ... CD
Solar/Robinsongs (UK), Late 70s. New Copy 2 CDs
A trio of classic funky albums from Lakeside – with bonus tracks too! First up is Shot Of Love – Lakeside's first album for Solar – and the beginning of a very fruitful relationship for the band and the label! The record's a great one – cut long before the Solar funk sound ... CD
De-Lite/Big Break (UK), 1980. New Copy
CD...$6.99 13.99
A wonderful female soul trio from the Chicago scene of the 70s – and one we'd stand strongly next to the best gal groups from the Philly or New York scenes! In fact, Coffee were a bit unique in the city – which mostly had male groups getting the record contracts during the decade ... CD
Whitfield/Big Break (UK), 1978/1980. New Copy
CD...$6.99 13.99
The overlooked second chapter of Spyder Turner's career – two albums back to back on a single CD! First up is the Music Web album – a fantastic revival in sound for Spyder Turner – a Detroit singer who cut some material for MGM earlier in his career, but never at a level that ... CD
Warner, 1983. New Copy
A fantastic musical gift from beyond – early 80s recordings by Prince, and the sort of work that might have been a huge revelation if it were issued during his too-short career! As the title implies, the set just features the man himself at the piano – singing and playing with a very ... CD

Isaac Hayes & Dionne Warwick

Man & A Woman
ABC/Big Break (UK), 1977. New Copy
A wonderful duet set from Isaac Hayes and Dionne Warwick – one that draws on the classiest side of the Hayes spectrum, and uses his groove to help Dionne find some great new energy! Even in performance, the music has that great rich quality that Isaac always brought to his solo recordings in ... CD
 



⇑ Top