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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Late magic from Groove – a surprisingly tasty set, especially given the date and the label! The record's one of those late 70s Muse sides that really take the torch from the harder-hitting Prestige sound that had been lost since the early 70s – and although the production style's a bit ... LP, Vinyl record album
Groove Holmes is definitely dancing in the sun here – working with full arrangements from Mario Sprouse, in a sweetly soulful style that's not unlike Johnny Hammond at the time! Groove still plays Hammond on most numbers – but also a bit of mini Korg too – and although the ... LP, Vinyl record album
A real killer from Earland! The record swings incredibly hard, with a tight jazzy groove that sounds like his early work for Prestige from the first few albums. The band includes lesser known players like trumpeter Elmer Coles, alto player James Vass, and conga player Kenneth Nash – but ... LP, Vinyl record album
A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his ... LP, Vinyl record album
A nice little set from Shirley, made up of organ trio readings of Ellington standards. Maybe not the kind of thing you went nuts for on your last digging excursion, but a more than solid set of Sunday morning numbers that Scott and company, George Tucker and Mack Simpkins in this case, handle with ... LP, Vinyl record album
A standout acoustic set from the great Sonny Stitt – recorded during an early 70s stretch when he was doing a fair bit of work with electric players! The format here is great – and even though the instrumentation hearkens back to the earlier years of Sonny's career, there's a sense of ... LP, Vinyl record album
Another one of Freddie's tight soul vibes records for Prestige, with a lot of good cuts that have a rollin' soul instrumental sound to them, and a band that includes Wilbur Bascomb on trumpet, Wally Richardson on organ (?), and Joanne Brackeen on piano. The title cut's the standout track on here, ... LP, Vinyl record album
Moody bit of electric stuff recorded by Eric Kloss with the Miles' (then) rhythm section of Chick Corea, Dave Holland, and Jack DeJohnette. The groove is very open ended, as you'd expect from these guys at the time, but Kloss is right in the pocket with his sharp solos on alto and tenor. Tracks ... LP, Vinyl record album
Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that ... LP, Vinyl record album
Sublime early Getz all the way through – material that shows why even right out of the gate, Stan's sound on the tenor was one to be reckoned with! Side one features a quartet with Al Haig on piano, Tommy Potter on bass, and Roy Haynes on drums – all giving Stan plenty of room to ... LP, Vinyl record album
Forget the "blues" in the title – because the set's as much a soul jazz cooker as any of Groove's classic records for Prestige! The format's a bit different than usual – in that Groove solos on Hammond over large arrangements by Onzy Matthews – in a sweet organ/big band ... LP, Vinyl record album
Bad Bossa Nova is right – as Gene Ammons really hits a great groove here – one that's not exactly bossa, but which has lots of Latin and tropical touches! The session makes great use of 2 guitars at the same time – using that of Kenny Burrell for soulful rhythm, but also adding ... LP, Vinyl record album