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LP (Item 7772) Blue Thumb, 1972 — Condition: Very Good
2LP Gatefold
$24.99 ...

LP, Vinyl record album

(€23.58 || £19.83 || ¥2791) (approx.)

Massively wonderful work from the mighty Hugh Masekela – easily one of his hippest, most soulful sessions ever! This double-length gem really has Hugh letting go – moving way beyond the pop modes of the late 60s, into a long-flowing, open-rolling groove that's played by a spare quintet lineup with plenty of African themes in the rhythms! Players include Larry Willis on acoustic and electric piano and Dudu Pukwana on alto sax – both of whom are wonderful, and really get a chance to sparkle in the session – almost sharing equal space with Masekela in the sound and shape of the record, although Hugh's horn work is pretty darn amazing too. Other players include Eddie Gomez on bass and Mahaya Ntshoko on drums – and the record has the sort of open, righteous feel of a session on Black Jazz or Strata East – a vibe that really blows away most other Chisa Records work of the time. Titles include Willis' classic "Inner Crisis", plus "Blues For Huey", "Part Of A Whole", "Maesha", "The Big Apple", "Minawa", and "Nomali". (In the extravagant gatefold cover, with a name in pen & some wear.)  © 1996-2017, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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