Massively wonderful work from the mighty Hugh Masekela – easily one of his hippest, most soulful sessions ever! This double-length gem really has Hugh letting go – moving way beyond the pop modes of the late 60s, into a long-flowing, open-rolling groove that's played by a spare quintet lineup with plenty of African themes in the rhythms! Players include Larry Willis on acoustic and electric piano and Dudu Pukwana on alto sax – both of whom are wonderful, and really get a chance to sparkle in the session – almost sharing equal space with Masekela in the sound and shape of the record, although Hugh's horn work is pretty darn amazing too. Other players include Eddie Gomez on bass and Mahaya Ntshoko on drums – and the record has the sort of open, righteous feel of a session on Black Jazz or Strata East – a vibe that really blows away most other Chisa Records work of the time. Titles include Willis' classic "Inner Crisis", plus "Blues For Huey", "Part Of A Whole", "Maesha", "The Big Apple", "Minawa", and "Nomali". (In the extravagant gatefold cover, with some light wear & a bumped corner.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.