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Violin Reactions (200 gram pressing)

LP (Item 776010) Vedette/Roundtable (Australia), 1974 — Condition: New Copy
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The definitely got the title right on this one – as the album's got plenty of violin, but never in the way you might expect – as the instrument is used in all these weird and wonderful ways that really make the record a treat! There's neither classical nor jazz-based violin approaches at play – and instead, Armando Sciascia almost seems to be trying to find all the weird, offbeat sounds he can from the instrument – but in ways that are sometimes funky, sometimes dark, and always pretty darn compelling! Some tracks have these chugging rhythms that come from percussion by Tullio De Piscopo – best known for his later club work – others have a spare, moody vibe with offbeat string passages echoing in space – almost as if they're electronic, with weirdly spacey qualities. The record is quite experimental for a sound library session – and titles include "Reagente B", "Acidocloroscuccinico", "Atomo Asimmetrico", "Nucleofilo", "Planctonico", "Enantiomorfo", and "Substrato Ax".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Armando Sciascia

Sea Fantasy
Roundtable (Australia), 1972. New Copy
A beautiful underwater fantasy of sound library grooves – a set that's almost the Italian equivalent to the Inner Space soundtrack from Australia by Sven Libaek! Like that set, this one uses waves of instrumental energy to create an almost watery vibe – strings mixed with keyboards, ... LP, Vinyl record album

Alessandro Alessandroni

Ritmo Dell'Industria #2
Grand Prix/BTF (Italy), 1971. New Copy (reissue)
The sound of industry, circa 1969 Italy – which means that everything sounds a heck of a lot groovier than you might expect! Soundtrack genius Alessandro Alessandroni handled the album – and it's completely fantastic right from the very first note – nothing like an industrial ... LP, Vinyl record album
Gemelli/Roundtable (Australia), 1971. New Copy (reissue)
Really organic rhythms from groundbreaking sound library artist Egisto Macchi – served up here on a record that never saw commercial release at the time, but which may well be as mindblowing as contemporary work by Harry Partch or George Crumb! Like both of those serious composers, Macchi ... LP, Vinyl record album
Montparnasse 2000/Le Tres Jazz Club (France), 1976. New Copy (reissue)
One of the funkiest records of the French scene of the 70s – a now-legendary sound library album from Jacky Giordano – and one that's filled with amazing keyboards throughout! Jacky stars with grooves that are like some of the best Lalo Schfrin crime/cop modes of the early 70s – ... LP, Vinyl record album
BTF (Italy), 1973. New Copy
Fuzzy funk from the Italian scene of the early 70s – a really landmark record that ties together all the best elements happening in the soundtrack, sound library, and psych scene at the time! The group features two guitars and lots of organ and keyboards from the leader – really ... LP, Vinyl record album

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Trip Around The World
Stella/Saar Milano (Italy), 1973. New Copy (reissue)
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Leo/VM (Italy), 1969. New Copy (reissue)
Warm and wonderful sound library music from Oronzo De Filippi – not nearly as cold as you might expect from the Meccanizzazione title! The tunes are all in the range of two to three minutes, and have these really lovely keyboard parts – gentle grooves that are sometimes jazzy, ... LP, Vinyl record album
Leo/BTF (Italy), 1972. New Copy (reissue)
A fantastic little record, and one that really lives up to the "elettro" promise in its title – as Giuliani Sorgini uses lots of offbeat electronics, in a mode that's almost a link between the musique concrete experiments of the 60s, and some of the more electronic-based sound ... LP, Vinyl record album
Finders Keepers (UK), 1970s/Early 80s. New Copy
Heavy electro work from Suzanne Ciani – an artist who peaked a bit later than some of her sound library contemporaries – which means she was able to contribute music experimental films, record productions, and video games – and not just the usual mainstream outlets! Ciani's ... LP, Vinyl record album

Suzanne Ciani

Music For Denali
Finders Keepers (UK), 1973. New Copy
One of the most beautiful records we've ever heard from electronic pioneer Suzanne Ciani – and one of the earliest too! The tracks here were composed for a documentary in 1973 – one dealing with skiing in Alaska – and Ciani uses a sublime mix of acoustic piano and Buchla ... LP, Vinyl record album

Modern Sound Quartet

Floreama
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A keyboard-heavy set from the 70s, and one that's on the funkier side of the sound library spectrum – thanks to an array of grooves that move with the speed of some of the best cop or crime soundtracks of the time! The main maestro here is Oscar Rocchi – an older Italian jazz player ... LP, Vinyl record album

Sharon Mhati Chatam (Gianfranco Reberberi)

Fantasy (with bonus download)
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With a cover like that, it's easy to see where the fantasy in the title is going – certainly not into the musky world of swords and sorcery, and instead into the realm of slinky sounds that are right at home in the Italian sound library world of the 70s! The music here has all the warm ... LP, Vinyl record album
 



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