This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A classic Savoy side that brings together bop sessions recorded earlier in the label's life – done by different groupings that feature some of the best players of the early bebop years. Sonny Stitt, Kenny Dorham, and Bud Powell are part of a group that play "Ray's Idea", "Fool' ... CD
Classic Coleman Hawkins work for Savoy – featuring Hawk blowing in a number of small group settings. We're not really sure where he "returns" from on this one – but the playing is great, and tracks include "Flight Eleven", "Should I", "Modern ... CD
Fantastic work from a lost chapter of Coltrane's career! Sure, you may know his early work with Miles Davis, or his groundbreaking later recordings on Atlantic and Impulse – but in the late 50s, 'Trane recorded some fantastic sides with trumpeter Wilbur Harden for Savoy Records, and the ... CD
A great little session – an oft-overlooked gem from Savoy's legendary hardbop years of the 50s! Altoist John Jenkins leads the session – which also features Donald Byrd, Curtis Fuller, Tommy Flanagan, Doug Watkins, and Art Taylor – and with a lineup like that, you can hardly miss! ... CD
A great 50s album that features material JJ Johnson did for Savoy in the late 40s – singles recorded in 1946, 1947, and 1949 – and they already mark Johnson as one of the most inventive trombonists of his generation – a player working with none of the hoke of earlier eras, and ... CD
Excellent early hardbop material from Hank Mobley – recorded in a slightly looser style than his Blue Note work, but essential 50s work nonetheless! The album's got a relaxed, open feel – almost the blowing session mode used with Mobley on Savoy, and a great illustration of Hank's ... CD
Famous radio recordings of the legendary Charlie Parker – captured at the Royal Roost nightclub in the late 40s – blasting out with incredible power over the airwaves in the New York scene! The presentation of the material here includes bits of announcer patter – mostly from ... CD
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... CD
A real breakout set from the young Joshua Redman – the kind of record that made some mighty big ripples in the jazz world at the time – and which ended up in more record collections than we can count – and for good reason, too! The group's a rock-solid quartet – with Redman ... CD