This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Recorded in Paris with Walter Williams on trumpet, Al Hayse and Jame Cleveland on trombones, William Montgomery on electric bass, and Curley Hamner on drums, plus Mezz Mezzrow, Claude Bolling, and Clifford Scott. Titles include "Always", "September In The Rain", "Real ... LP, Vinyl record album
A great little small combo record that proves that Jimmy was still hitting strong in the late 60s! Although the bulk of the more famous Verve material featured Jimmy in larger settings or singing or playing pop material, there were also some nice stripped-down sides hidden in the catalog, which ... LP, Vinyl record album
Two long jam session performances – one with Roy Eldridge on trumpet and Flip Phillips and Lester Young on tenors – on "Lester Leaps In", "The Closer", and "Embraceable You". The other features Willie Smith on alto, Coleman Hawkins and Lester Young on ... LP, Vinyl record album
Hardly an "encore" of the first Stan Getz Jazz Samba album – as this set's got a slightly different feel, and lots of great elements that make it really unique! This time around, Brazilian musician Luiz Bonfa is on guitar – already a skilled proponent of the bossa by the time ... LP, Vinyl record album
One of the great Ray Brown LPs for Verve, featuring the legendary bassist in the company of Jerome Richardson, Herb Ellis, Osie Johnson, and Oscar Peterson (who plays organ on some cuts!). Cuts include "Jim", "Cool Walk", "Upstairs Blues", and "Bric a Brac". LP, Vinyl record album
A very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that ... LP, Vinyl record album
Sessions like this are proof that Jimmy was one of the most fantastic organ players ever – as his work with large arrangements (supplied here by Claus Ogerman) always seems to groove better than his work with small combos. His sound is impeccable, and he soars ahead of the rest of the ... LP, Vinyl record album
A real classic by Cal – one of the trademark albums of his time at Verve, and a unique blend of jazz, Latin, and other groovy influences! The tunes have that lightly jazzy approach that made Cal a hit with the radio and jukebox crowds at the time – a bossa-influenced mix of vibes, ... LP, Vinyl record album
A classic from Wes Montgomery – and exactly the kind of record that made him a legend in the 60s! The set's one of Wes' collaborations with arranger Claus Ogerman – a key talent who was really on the rise at the time, and who understood how to perfectly balance Montgomery's unique ... LP, Vinyl record album