Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Shape Of Jazz To Come (180 gram 2LP pressing – 45rpm)

LP (Item 773960) Atlantic, 1959 — Condition: Near Mint-
2LP Gatefold
Also available
Ornette Coleman — Shape Of Jazz To Come ... CD 2.99
An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic pulse, with drums, bass, trumpet, and alto sax incredibly intertwined! Ornette's really got an edge on his instrument – cutting even more deeply here than the clipped, punctuated cornet work of Don Cherry – and the rhythm team of Charlie Haden and Billy Higgins are simply amazing – not just keeping up with the energy of Ornette, but also really helping facilitate it as well! Titles include the haunting "Lonely Woman", plus "Peace", "Chronology", and "Focus on Sanity".  © 1996-2022, Dusty Groove, Inc.
(2013 Atlantic/Org pressing.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


ESP, 1962. Near Mint-
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was ... LP, Vinyl record album

Ornette Coleman

Coleman Classics 1
Improvising Artists Inc, 1958. Sealed
Fantastic material from the late 50s – recorded live, possibly at the same Hillcrest Club sessions that yielded the material on the Fabulous Paul Bley album issued in France. The set's pure Coleman, but with a twist. Bley's comping on piano gives the record more of a straight jazz groove ... LP, Vinyl record album

Ornette Coleman

Something Else!!!!
Contemporary, 1958. Near Mint-
Pre-Atlantic work from Ornette Coleman – one of his first recorded statements in jazz – and one of his boldest! At some level, the complete Coleman sound isn't entirely in place here – as there's a bit of a trace of hardbop in the mix – not entirely, but just a bit. But at ... LP, Vinyl record album

Ornette Coleman

Twins
Atlantic, Late 50s/Early 60s. Near Mint-
A key album for any fan of classic Ornette Coleman – a 1971 Atlantic release that pulled together tracks from the late 50's and early 60's that didn't make it onto Ornette's earlier records for the label! Why these tracks weren't released at the time is a mystery to all, because the material ... LP, Vinyl record album

Ornette Coleman

New York Is Now!
Blue Note, Late 60s. Near Mint- Gatefold
"New York is now" – a pretty bold statement from saxophonist Ornette Coleman, but one that definitely shows his shift in role – from a major force on the LA underground of the early 60s, to an artist who was helping pave the way for a huge wave of growth on the New York ... LP, Vinyl record album

Ornette Coleman

Ornette On Tenor
Atlantic, 1962. Very Good+
An early standout set from Ornette Coleman – and a record that features him blowing on tenor, instead of his usual alto – as you might guess from the title! In a way, Ornette's playing on tenor is almost freer than his alto work – a bit more open-ended and exploratory, stretching ... LP, Vinyl record album

Ornette Coleman

Town Hall 1962
ESP, 1962. Very Good+
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was ... LP, Vinyl record album

Ornette Coleman

Empty Foxhole
Blue Note, 1966. Sealed
One of our favorite Ornette Coleman albums of the post-Atlantic 60s years – a set that still hangs onto some of the bold rhythmic conception of his previous records, but also points the way towards his freer jazz modes to come! The group's a trio – with really tremendous work from ... LP, Vinyl record album

Lester Young/Chu Berry/Ben Webster

Commodore Years – The Tenor Sax
Atlantic, 1938/1941/1944. Near Mint- 2LP Gatefold
... LP, Vinyl record album

Les McCann

Layers
Atlantic, 1973. Very Good+ Gatefold
This might well be the best album that Les McCann ever cut during the 70s! It's got some killer electric piano riffs, of the sort that are being sampled heavily today by the kids, and which are getting his music to a whole new af generation. The tracks have a tight spacey funk sound, and they don' ... LP, Vinyl record album

Modern Jazz Quartet & Laurindo Almeida

Collaboration
Atlantic, 1964. Very Good
Moody vibes and light guitar – a wonderful meeting of two unique talents – the third stream jazz of the Modern Jazz Quartet, and the introspective guitar of Laurindo Almeida! The session blends together a host of different influences – from classical guitar to bossa nova to ... LP, Vinyl record album
Atlantic, 1957. Very Good+
The MJQ always manage to sound especially great when working on music for film – and this album's a great illustration of that fact! The work here is written by John Lewis, for a movie that never lasted the test of time as much as the record – and it's some of John's most evocative ... LP, Vinyl record album
 



⇑ Top