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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sweet electric Freddie Hubbard – a wonderfully laidback session that's filled with space and soul – hardly what you'd expect from the title! The album follows nicely in the style that Hubbard hit at CTI – an openly flowing groove that has Freddie's trumpet on top of long electric ... LP, Vinyl record album
One of Freddie Hubbard's greatest records – a soaring bit of soulful modernism that's almost a precursor to 70s sounds on record labels like Black Jazz or Strata East! Freddie's at his early best here – stepping aside from some of the more serious Blue Note modes, and definitely ... LP, Vinyl record album
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out ... LP, Vinyl record album
Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of ... LP, Vinyl record album
One of the best-selling albums ever recorded by the Clark-Boland Big Band – a set of hard-searing tracks played by an all star group, capturing the ensemble at its finest! The album's got a few nicely open-ended tracks that really let the soloists take flight – and players include ... LP, Vinyl record album
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... LP, Vinyl record album
Featuring Toshiko Akiyoshi, Charlie Haden, Herbie Hancock, Bobby Hutcherson, Wynton Marsalis, Wayne Shorter, Lew Tabackin, Tony Williams, and Denny Zeitlin. LP, Vinyl record album
Though there are a number of different LPs using the VSOP title in a few different ways, this was the first, a double album recorded live at the Newport Jazz Festival, featuring Herbie leading groups that represented a number of different points in his career. The first lineup later recorded under ... LP, Vinyl record album
With sidemen including Ralph MacDonald, Richard Tee, Eric Gale, Anthony Jackson, Harvey Mason, Eef Albers, and Steve Khan; plus brass, woodwind, and string sections. LP, Vinyl record album
The electric years of Miles Davis have left a huge legacy in music – one that's referenced again and again, and continually revisited by generations of musicians, both young and old! Here, that legacy gets some especially nice treatment – by a group of artists who include some key ... LP, Vinyl record album