This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A massive set from Al Jarreau – a set that gave the singer one of his smoothest hits of all time, yet still kept him very firmly in the sort of sophisticated territory that set him apart from most of his contemporaries! The sound here is often a lot more understated than you'd expect – ... CD
Sublime sounds from Al Jarreau – exactly the kind of record that made him a unique superstar at the time of its release, and which still continues to fly Al's flag strongly all these many years later! Jarreau's got that perfect blend between jazz roots and soulful expression here – set ... CD
Larry Graham hits the slow jam generation – stepping aside from his funkier groove for this classic album – a record that gave the world a huge crossover cut in the title track! The main focus here is on Larry's vocals, not his basswork – and he does a surprisingly good job as a ... CD
One of the greatest crossover albums of the 80s – and the record that catapulted Prince very firmly into the mainstream! There's a tightness here that surpasses even that of Prince's early classics for Warner Brothers – an unabashed love of a pop hook that makes for some incredibly ... CD
Ashford & Simpson don't need to ask at this point – their in full 70s soul stride here, and it's not good, it's great! By this point in the late 70s, Nick and Valerie are firmly holding the foreground as artists in their own right after many years of acting as songwriters for other soul ... CD
A classic collection of work by Stuff – a crucially important group in their time! The ensemble was comprised of players who'd cut their teeth in jazz, fusion, and studio work during the early 70s – artists like Steve Gadd, Eric Gale, Cornell Dupree, and Richard Tee – all of whom ... CD
A sweet 80s groover fro Chaka Khan – one that features a fair bit of beats and bassline – thanks to tight production from Prince, Chris Jasper, and Russ Titelman! Russ is actually the man behind most of the set – and he really shows off his great talent for a hook-heavy soul tune ... CD
Excellent work from Ashford & Simpson – with some modern soul groovers that are among the best they ever did! The album includes their original reading of "Top Of The Stairs", a great sexy soul duet that was later done by Collins & Collins – and it's also got a ... CD
Massive work from Bootsy Collins – one of his best-ever solo albums, and a perfect summation of the P-Funk groove – focused strongly through Bootsy's own sense of stardom! George Clinton worked with Collins on production, and the album's as tight as the best Parliament or Funkadelic ... CD