This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Wonderful lost work from Michel Legrand – a fantastic, and fantastically overlooked, 70s soundtrack – completely essential to have in a CD version like this, since most of the music hardly appeared in the film at all! The score takes off nicely from some of Legrand's more famous work ... CD
Love Is A Many Splendored Thing is filled with the sort of lush strings and rich emotion that Newman could do so well – heard to great effect on the album's famous main theme, but then changed up nicely with some surprising exotic touches that echo the Hong Kong setting of the film – ... CD
An epic tale of deceit and power in the Sicilian town of Corleone – scored beautifully here by Ennio Morricone, at a level that prefaces some of the more sophisticated turns his music would take in years to come! There's a depth here that reminds us a lot of Morricone's great soundtrack for ... CD
Beautiful work by Nino Rota – filled with the kind of classic themes that distinguished his best work for Fellini. Carlo Savina conducted, and he does an excellent job with Rota's ideas – crafting them into short little packets of sound, woven tightly into little balls that pass back ... CD
A pretty straight orchestral score from Russ Garcia – but one with some small amount of weird effects, like those he was putting into some of his easy orchestral albums at the time. The overall feel is quite dark – with off-key string passages, and weirdly tuned horns used to create ... CD