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Eastern Rebellion (Muse)
LP (Item 76952) Timeless/Muse, 1975 — Condition: Near Mint-
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A seminal work in the development of the career of Cedar Walton – the formation of his excellent Eastern Rebellion ensemble, a group that became a platform for soul jazz expression for the next two decades! The group on this set features George Coleman on tenor, Sam Jones on bass, and Billy Higgins on drums – all working in territory that Walton and Clifford Jordan were exploring heavily at the time – long, drawn-out soul jazz tunes – frequently built upon modal rhythms, and touched with traces of post-Coltrane blowing. The key factor, though, is that the work's never too outside, never too overindulgent – just hard-swinging soul jazz, in a 70s expression of the older Blue Note ideal! Titles include "Bolivia", "5/4 Thing", "Mode For Joe", and "Naima". © 1996-2024, Dusty Groove, Inc.
(US Timeless/Muse pressing.)
(US Timeless/Muse pressing.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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