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Down Stretch

LP (Item 768471) Blackhawk, 1972 — Condition: Near Mint-
Also available
Eddie Gomez — Down Stretch ... CD 22.99

Bassist Eddie Gomez hardly ever has a down stretch – especially given all the creative combinations he's worked in over the years – and this rare 70s album from Japan is more of a high point than anything "down" at all! The record's a trio date, with killer work on Fender Rhodes and piano from Takehiro Honda – who's easily one of our favorite Japanese pianists of the time, and a musician who really brings a different sort of energy to the record than some of Gomez's other sessions with piano players, especially Bill Evans. Drummer Elliot Zigmund is also nicely creative, too – really working the kit in unusual ways, and often staying back a bit so that Eddie can get some wonderful space in the lead, especially at the start of some of the songs. The whole thing's great – an overlooked moment of genius from Gomez – and titles include "Caprice", "Half Life", "Blues E", "Dream Passage", and "Down Stretch".  © 1996-2020, Dusty Groove, Inc.
(US pressing – a nice copy!)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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