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Songs For Evolution

LP (Item 7665) Atlantic, 1976 — Condition: Very Good

Tremendous work from Anglo Saxon Brown – a Philly group who started out their recording career as Ujima on Epic, where they issued a handful of well-remembered singles – then changed their name and cut this one and only full length set for Atlantic! The album's a stunner all the way through – one of those sets that should have been much bigger at the time – and which, like the Ujima singles, has only gotten the group more and more attention over the years – as collectors and DJs have spread the word about its sublime soul sound! These guys are big – as you'd guess from the image on the cover – but they've got a tightness that's made even better by the Sigma Sound recording of the set – which merges their smooth blend of male voices and a female singer with some classic 70s Philly sounds. The album excels on both mellow cuts and groovers – and is still plenty darn fresh after all these years – a real under-discovered gem! The "Call On Me" is a nice smooth stepper, in a mellow pace that we really like – and "ASB Theme" and "The Grizzly" are some good funky club cuts – and other tracks include "Gonna Make You Mine", "Straighten It Out", "I'll Keep Lovin You", and "The Man I Love".  © 1996-2021, Dusty Groove, Inc.
(Cover has light wear and a cutout hole.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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