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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A very different album from Archie Shepp – and an introspective record that shows a whole new side of his talents! For the session, Shepp plays piano, not tenor – an instrument he handles with an angular, modern tone – one that seems to echo bits of Herbie Nichols and Thelonious ... LP, Vinyl record album
One of Shepp's excellent straight sides from the late 70s – and like the rest of the best, recorded as a Japanese-only session for Denon. The "silver" in the title is Horace Silver – as 3 of the album's 4 long tracks are Silver compositions – played by Shepp with a ... LP, Vinyl record album
An incredible collective of musicians – all recording here under the mighty leadership of Archie Shepp! The feel of the session is a highly collaborative one – far more so than even Shepp's other Paris work for the BYG/Actuel label – as a richly varied lineup that includes Leroy ... LP, Vinyl record album
A great counterpart to some of Archie Shepp's studio albums for Impulse – a live date recorded in San Francisco, with a slightly freer, sharper edge! The sound is almost free at times, but always with that strong sense of focus that Archie brought to his brilliant work of the time – ... LP, Vinyl record album
They're not kidding with the title of this one – because although the record was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy ... LP, Vinyl record album
An incredible record from funky drummer Idris Muhammad! Idris is probably known for his funky break work on Blue Note and Prestige records sessions of the late 60s and early 70s – but by the time of this 1974 album, he was really expanding his style, hitting a laidback groove that went way ... LP, Vinyl record album
Drummer Alphonse Mouzon cut some of the hardest, heaviest fusion albums ever to hit the Blue Note label in the 70s – including this legendary powerhouse of a record! The set features Mouzon with one of his longtime partners – guitarist Tommy Bolin – hitting a hard-rocking, heavy ... LP, Vinyl record album
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of ... LP, Vinyl record album
A great album by Lee Morgan – and one not to pass up! The Rumproller often gets too easily lumped next to The Sidewinder – because of an obvious title and cover similarity to that hit record – but like that one, the album's far more than jazz cliche – and shows Lee Morgan ... LP, Vinyl record album
Wonderful work by Dolphy – as essential to his catalog as any of his albums on Prestige from the same time! Although Dolphy broke plenty of musical barriers in the studio, to our ears, it was always in a live setting that he sounded best – freely exploring the kind of space his playing ... LP, Vinyl record album
Sweet 70s grooves from Ramsey Lewis – a set cut smack dab in the middle of his glory days at Columbia Records – with great production help and work on bass from the mighty Cleveland Eaton! The style is nice and lean, with just some occasional fuller touches – and Ramsey plays ... LP, Vinyl record album
A beautifully fragile set from Roscoe Mitchell – one that shares a mood and vision that's similar to his best solo work of the 70s, even though it's a trio set featuring trumpeter Hugh Ragin and percussionist Tani Tabbal. There's a wonderful second-wave AACM vibe that holds sway in the set ... LP, Vinyl record album