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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Titles include "South In New Orleans", "Beware Of It", "I Want To Be Loved", "Slow Poison", "Sincerely", "But I Love You Just The Same", "Three Ways Of Knowing", and "Don't Say Goodbye If You Love Me". LP, Vinyl record album
One of the better late 60s albums from this fantastic team – done at a time when RCA was maybe cutting out some of the mandolin solos by Jethro, but still letting the team shine with their undeniable charm! Includes their great tribute to the country scene – "Nashville Cats" ... LP, Vinyl record album
Chet Atkins is groovin, but in a yesterday sort of way – hence the title of this sweet set from the start of the 70s! The record still has plenty of that excellent Atkins guitar work right up front in the mix – picking and strumming with the sublime sound that Chet created in the ... LP, Vinyl record album