This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sublime solo piano – from that early 70s moment when Keith Jarrett was not only finding a whole new voice for himself, but also creating a whole new format in music! The tracks here are all long, live, solo improvisations – played by Jarrett at a level that's unbridled, but never ... LP, Vinyl record album
Mike Nock has always been a pianist with so many varied shades and styles to his talents – and here, he makes a rare ECM appearance in a set that's nicely different from most of his other albums of the 70s – maybe a bit more sensitive at times, but also maybe more freewheeling too ... LP, Vinyl record album
Two of the greatest things going for ECM in the 70s – brought together on one record! The vibes of Gary Burton are a wonderful match for the careful guitar work of Ralph Towner – particularly his 12-string guitar, which is used in a space that's somewhere between folk and jazz, and ... LP, Vinyl record album
A key album from the later Charles Lloyd years on ECM – from a moment when the saxophonist seemed to be completely reinvigorated, and exploring very different territories than his music of the 60s! Part of the sound has Lloyd hitting a few ECM vibes – hard not to do with a group that ... LP, Vinyl record album
A key later session from the Art Ensemble Of Chicago – a record that gained them global exposure through the ECM label, and which has them working in a beautifully subtle sense of sound, space, and tone! The work is less all-out challenging than some of the group's earliest recordings – ... LP, Vinyl record album
Saxophonist Jan Garbarek has always had a great ear for an unusual setting for his horns – and here, he continues that strong legacy by working with Kjell Johnsen – a keyboardist who plays a pipe organ in a very spacious way! The mix of the large instrument and the ECM production style ... LP, Vinyl record album
With Malachi Thompson, Steve Turre, Stanton Davis, and Frank Lacy. This LP features covers of pop hits, such as "Saving All My Love For You", "Oh, What A Night", "Crazy", & "Blueberry Hill", as well as compositions by Steve Turre and Lester Bowie, ... LP, Vinyl record album
A beautiful record, and one of the few albums ever cut as a leader by alto player Leo Wright! At the time of the set, Wright was really making some excellent records with Lalo Schifrin and in Dizzy Gillespie's group (where they both were working at the time) – and this set is a perfect ... LP, Vinyl record album
George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's ... LP, Vinyl record album