This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A key album in the reintroduction of Coleman Hawkins in the late 50s – recorded in a style that still bears a lot of traces of earlier years, but at a time when Hawk was being claimed as a key influence by a variety of younger modernists! The set's got a sense of freedom that's really ... LP, Vinyl record album
With Tommy Flanagan on piano, Major Holly on bass, and Eddie Locke on drums, on side one, and with Charles Shavers on trumpet, Ray Bryant on piano, Tiny Grimes on guitar, George Duvivier on bass, and Osie Johnson on drums on side two. LP, Vinyl record album
Obscure recordings that Hawk did for the Jazztone label in the mid 50s – sides that were not well packaged at the time, and often get confused with other work recorded for different labels. The tracks capture Hawkins at a wonderful period in his career – almost lost between eras, but ... LP, Vinyl record album
The Hawk, in prime late form, lays down some beautiful tenor solos over gentle bossa nova accompaniment – working in a mode that's much more satisfying than just a "classic player meets bossa" session, angularly crafting the solos with that dark edge that he had in all of his later ... LP, Vinyl record album
Long, lean, and later work by Coleman Hawkins – recorded in a beautifully stripped-down and free setting at the Village Gate! The tracks are all pushing the 10 minute mark – and feature Hawk soloing in that open, exploratory way he was using during the time – a mix of older ... LP, Vinyl record album
A sweet little 50s session from Hawk – recorded for the World Wide subsidary of Savoy, in a great style that has plenty of room for solo space! Tracks are long, and arranged by Billy Ver Plank – with a moody small combo mode that lets Hawkins get in plenty of those edgey bits in his ... LP, Vinyl record album
Massive later music from Coleman Hawkins – a date that might be easy to overlook, given the unassuming package – but one that really features that newfound mix of modernism and soul that graced the later years of Hawk! The setting is a bit unusual, but that's part of the charm – ... LP, Vinyl record album
A great take on the score to the hit show My Fair Lady – heard here in one of the best jazz interpretations from the time! Billy Taylor really gets a great setting for the music here – one that moves past the more familiar small group takes on the tunes, and features soaring large ... LP, Vinyl record album
A really great little album – one that really gets at the bright, joyous feel that Clark Terry brings to his music! Despite the "happy" in the title – which might make you think this one would be a bit silly – the album's a pretty great record! Terry plays both trumpet ... LP, Vinyl record album
A lost gem from Keith's "with horns" period – a quintet session from the mid 70s, recorded with a group that features Dewey Redman on tenor, plus Charlie Haden on bass, Paul Motian on drums and percussion, and Guilherme Franco on additional percussion. The feel is a bit straighter ... LP, Vinyl record album