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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Webster Lewis is working with Michael on both of these tracks – giving the grooves a slightly jazzy bounce that's similar to Lewis' own club work for Columbia! "Still Got The Magic" is a thumping midtempo number that's heavy on the bottom, but soars a bit on the top with Wycoff's ... 12-inch, Vinyl record
Funky soul from Betty Padgett and Arthur Foy – resurfacing thanks to our friends at Luv N Haight/Ubiquity! "Sugar Daddy" by Betty Padgett is a wonderful little slice of sunny funk and soulful 70s sounds – she has a really sweet voice, and the tune kicks off with funky drums ... 12-inch, Vinyl record
A dancefloor anthem! "Ain't No Stoppin Us Now" is one of those cuts you never tire of. For years and years, you've heard it on the dancefloor – and play after play, it still sounds fantastic. The cut's served up here in a long 7 minute version – and it's backed by the Jones ... 12-inch, Vinyl record