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Carmen McCrae At The Great American Music Hall

LP (Item 75573) Blue Note, 1976 — Condition: Near Mint-
2LP Gatefold

A great illustration of the genius of Carmen McRae in the 70s – a record that easily shows why Carmen was hipper than most of her contemporaries from two decades before! The set has the vocalist somehow managing to still stick in a straight jazz style, without going for cheaper soul routines – yet also opening up with more of a sense of mature presence that showed the sophistication of the times – a killer blend that really makes the album a gem from these 70s years! The live setting features Carmen working through a mixture of new and old material in some really unique variations – working with a small group that includes Dizzy Gillespie on trumpet and Marshall Otwell on keyboards, carving out some space with a really wonderfully confident feel. Numbers include "No More Blues", "Only Women Bleed", "A Beautiful Friendship", "Star Eyes", "Dindi", "Never Let Me Go", "On A Clear Day", "On Green Dolphin Street", and "I'm Always Drunk In San Francisco".  © 1996-2020, Dusty Groove, Inc.
(Cover has a bent corner.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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