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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Herman leads his big band with guest artits Al Cohn and Stan Getz, with featured soloists that include John Oddo on piano, George Rabbai on trumpet and flugelhorn, Bill Stapleton on flugelhorn, Bill Ross on tenor and piccolo, Gene Smith and John Fedchock on trombone, Randy Russell and Paul McGinley ... LP, Vinyl record album
Genius 70s work from Woody Herman – funky big band with electric touches, served up on a range of wonderful tunes! Woody's still at the helm of the group on saxes and clarinet – but as with other Fantasy and Cadet albums, the real thanks here goes to arrangers – who include Bill ... LP, Vinyl record album
Despite what you might think about some of Woody's big band contemporaries from the 40s, you've got to admit that Woody himself was always growing and changing as the decades went on – as this 1963 album will attest! Woody's in great form here – still working with a tight group of ... LP, Vinyl record album
The most obscure of Woody's albums for Cadet – and a bit different than the other two! The album still features one side of upbeat groovy tunes – recorded with Richard Evans in a style that's a mix of big band funk and Cadet Records soul – and which show Woody to be a lot hipper ... LP, Vinyl record album
Broadway is the beat, but the sound has plenty of Parisian touches, too – thanks to arrangements from the mighty Michel Legrand! Legrand's in a mode here that's somewhere between his earliest soundtracks, and the European-themed records he cut for Columbia in the late 50s – styles that ... LP, Vinyl record album
Seminal work from British tenor giant Tubby Hayes – one of his greatest, and most ambitious albums ever! The album features Tubby at the head of a larger ensemble of jazz musicians, working through his own arrangements of jazz standards – re-worked and expanded in ways that practically ... LP, Vinyl record album
Driving Louis Bellson indeed – as Louie's drums set the tone for this session, and let Charlie Shavers and Seldon Powell echo out with some really great horn work! Tunes all have a nicely open-ended feeling that gets the players out of the context of their larger group histories and ... LP, Vinyl record album
Very nice, very laidback session that has Moody and Cohn trading solos on an easy batch of bop tracks, along with Barry Harris, Roy Brooks, and Sam Jones. The recording quality is at the usual high standard for MPS – although the set was actually produced by Don Schlitten, presumably in New ... LP, Vinyl record album
Beautiful beautiful work from tenorist Gene Ammons – and an album that really demonstrates that during the 60s, one of Ammons' strongest suits was his work with a mellow tune or ballad! The tracks here are wonderfully laidback, but never sleepy – very soulful, and solidly put together ... LP, Vinyl record album