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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
We're not sure what "soul-stream" is as a genre – but given the strength of this record, we'd be more than willing to grant it onto Curtis Fuller all by himself! The record's a gem that's even more obscure than Fuller's already-rare dates for Blue Note at the end of the 50s – ... LP, Vinyl record album
Amazing work from Eric Dolphy – a record that's come out on a number of different labels, under a number of different names – but which is one of his most perfectly-realized sessions of the 60s, and one of his most spiritual albums ever! The record features a shifting lineup of players ... LP, Vinyl record album
Jazz harpist Dorothy Ashby has always had one of the most unusual sounds around – and even though it might sound a bit crazy at first, her mix of harp playing with tight jazzy backing is always a winning combination. This early album has Ms Ashby playing with a groovy little combo that ... LP, Vinyl record album
Massively funky – and one of Jimmy McGriff's best albums for the Groove Merchant label! The album's follows strongly on the mode of Jimmy's classic Worm album – also produced by Sonny Lester, issued slightly before on the Solid State label. The set's got that stripped-down, hard-n-funk ... LP, Vinyl record album
Killer early work from Horace Silver – and a rare non-Blue Note session from the 50s! The album's Horace's only date for Columbia, and it's got a feel that's similar to some of the Jazz Messengers' hardbop recordings for the label at the time – cooking with a soulful intensity at the ... LP, Vinyl record album
A great little session of soul jazz – and very much in a classic mode, but with touches of the Strata East sound of the 70s. Although Blue Note and Prestige had seemed to abandon straighter soul jazz by the early 70s, Muse was cranking out some nice sides with older players of the 60s scene. ... LP, Vinyl record album
Haunting set of stripped down tracks by the brilliant Yusef Lateef, who not only plays his usual assortment of reeds here – tenor, alto, flute, and oboe – but also lays down a bit of theremin! He's accompanied by Hugh Lawson on piano, Reggie Workman on bass, and Roy Brooks on drums ... LP, Vinyl record album
Quite an unusual session for Freddie Hubbard – one of his most modernist albums for Blue Note, recorded with a larger group that includes James Spaulding on alto and flute, Joe Henderson (or Hank Mobley) on tenor, McCoy Tyner on piano, and the surprising inclusion of Kiane Zawadi on euphonium! ... LP, Vinyl record album
Hard-grooving stuff from JJ – played with a lot more bite than usual, and recorded live with a group that features Nat Adderley, Tommy Flanagan, and Albert Heath. Tracks include "Now's The Time", "Misterioso", "Walkin", and "Tune Up" – jazz ... LP, Vinyl record album
The only Blue Note album ever cut by pianist Walter Davis Jr – but a heck of a hard-swinging set, and possibly his greatest album ever! Although Davis is more frequently heard in trio formation as a leader, this set brings him back to the mode used during some of his bop sideman dates of ... LP, Vinyl record album