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(Stereo pressing with deep groove, including Belafonte catalog inner sleeve. Cover has light wear, name in pen on the back.)
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Includes selections by Leadbelly, Lizzie Miles, Hot Lips Page, Lil Green, Fats Waller, Wingy Manone, Louis Armstrong and Jack Teagarden, Johnny Moore's Three Blazers, Billy Eckstine, Jimmy Rushing, Lucy Reed, and Sextet Of The Rhythm Club Of London. LP, Vinyl record album
One of the few RCA albums cut by singer Teddi King – a great vocalist who came out of a small jazz group setting, but who works equally well here with larger arrangements from George Siravo! The mood of the album is nice and light, with a few smaller instrumental groups on about half the ... LP, Vinyl record album
Oscar Brown's score for a hip play that he wrote (one of his many plays!) – performed by him, Sivuca, and Jean Pace. Despite the "show" quality of the material, this actually stands simply as a great Oscar Brown Jr. LP, and the production is nice and intimate, and sounds just like ... LP, Vinyl record album