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LP (Item 75371) RCA, 1976 — Condition: Near Mint-
Always-amazing work from the team of pianist Toshiko Akiyoshi and reedman Lew Tabackin – and a set that may well be one of the ensemble's most ambitious records to date – given that side two features a long, complicated suite that has roots in older Japanese musical styles! The balance here is great – side one has the kind of swinging shorter (although still long by most standards) numbers that the group could make explode with color and imagination – and side two features the long "Minamata" suite, which has vocals from a young Monday Michiru, and from singer Hisao Kanze. Other tracks include "Studio J", "Transience", and "Sumie" – and the lineup here features most of the group's key members of the 70s – including the great Gary Foster on reeds!  © 1996-2022, Dusty Groove, Inc.
(A nice copy.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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