About Product Images
This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.![Enlarge](javascript:show_product_image("https://cdn1.dustygroove.org/images/products/g/gemini~~~~~_geminiris_101b.jpg"); "View larger image")
Gemini Rising
LP (Item 7535) M&M, 1981 — Condition: Near Mint-
A classic boogie groover from the early 80s – the one and only album from Gemini, and one of the few albums issued on the tiny M&M label! Although an indie effort, the album's got a tightness that matches the best 80s groove on bigger labels from the time – especially the excellent work coming out of Capitol, which would be a good match for the upbeat rhythms and well-crafted grooves going on here. Production is right on the money – very together without sounding slick – and the album's got a wonderfully soulful charm, served up by two male vocalists who sound great on both the upbeat and mellower tunes in the set. Titles include "Everytime I See A Pretty Lady", "You've Got Something Special", "Ain't No Love", "My Love For You Keeps On Growing", "The Power Of Your Love", and the great mellow soul ballad "I Don't Want To Lose You". © 1996-2024, Dusty Groove, Inc.
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
You might be interested
Al Jarreau
We Got ByWarner, 1975. Near Mint-
Al's first major label record – cut when he was an emerging soul jazz vocalist, but before he'd gone totally over the top in super-slick hit mode. The album's got a good 70s LA jazzy backing, with guests like Dave Grusin, Arthur Adams, and Larry Bunker keeping the music moving at a nice pace. ... LP, Vinyl record album
Epic, 1974. Near Mint-
Despite the Native American theme of the title, the group, and the cover image, the set is mostly a pretty straight mix of soul and rock, mid 70s crossover material with a flanged-out LA kind of appeal. Titles include "Interstate Highway 101", "Blood Sweat & Tears", "Co ... LP, Vinyl record album
Chaka Khan
ChakaWarner, 1978. Very Good+
The very first solo album from Chaka Khan – recorded after a great 70s run in Rufus, and an instant-classic that showed the world that she might be an even more amazing artist on her own! All those fantastic vocals from the previous albums with Rufus seem to get even more center stage action ... LP, Vinyl record album
Barry White
Is This Whatcha Wont?20th Century, 1976. Very Good+
Kind of a confrontational title, but still an excellent batch of grooves from The Maestro, with heavenly production, and lots of long drawn-out sexy grooves. Cuts include "Don't Make Me Wait Too Long", "I'm Qualified To Satisfy You", "Your Love – So Good I Can't Take ... LP, Vinyl record album
Omni
Omni Says It AllFountain, 1980. Very Good+
Chicago modern soul LP from the early 80's, recorded for Jerry Butler's Fountain label. The group were one of the few last links in the Chicago soul scene at the time – and they've got a good harmony sound that hearkens back to mid 70s work by groups like The Chi-Lites or Windy City. Most ... LP, Vinyl record album
Originals
Naturally TogetherSOUL, 1970. Very Good+
Great group vocals by one of Motown's biggest groups to never really make it. This album has some of their best cuts, with a sweet harmony sound, and raw production that works quite well with the band's approach. The best example of this is the cut "We Can Make It Baby", but other nice ... LP, Vinyl record album
O'Jays
Family ReunionPhiladelphia International, 1975. Very Good+ Gatefold
A great sense of righteousness and groove – the key mix that made the O'Jays so great back in the day – and which really helped put the Philly International enterprise on the map! The album's miles from the group's simple harmony soul roots – even though those were pretty darn ... LP, Vinyl record album
Philadelphia International, 1977. Very Good+ Gatefold
Nice Philly work by the O'Jays – one of their key "second period" albums, and a lost little gem filled with great harmony soul tracks. The political agenda of early 70s Philly albums is mostly gone, and the group's returned to themes of love and romance – often done in a ... LP, Vinyl record album
Milt Jackson
OlingaCTI, 1974. Near Mint- Gatefold
Milt Jackson's third album for CTI – part of a wonderful run that really helped him redefine his sound in the 70s! The album's got the electric approach you'd expect from the label – a great change from the sound of Jackson in the Modern Jazz Quartet, and a surprisingly great setting ... LP, Vinyl record album
Georges Delerue
King Of HeartsUnited Artists, 1967. Sealed
A nice little Georges Delerue score to this quirky and sentimental film from the mid 60s. The tunes are all relatively short – and a mixture of Delerue's usual French-tinged themes with other tracks that have a bit more of a regal composure, in keeping with the performance of Alan Bates in ... LP, Vinyl record album
Brian Auger's Oblivion Express
Live Oblivion Vol 1RCA, 1974. Near Mint-
Really hard-jamming work from keyboardist Brian Auger – the first of a 2-part live set from the US, and easily some of his greatest work on record! The tracks are all very long and stretched out here – an extrapolation of the territory Auger was already exploring on studio sides, taken ... LP, Vinyl record album
John Barry/
Diamonds Are Forever
United Artists, 1971. Sealed
A wicked little James Bond soundtrack – one of the lesser-known ones, which is why it's all that more great! The title theme is a totally catchy number, sung by Shirley Bassey with all the dark energy of her best pop work – and Barry's score has some really surprising moments, ... LP, Vinyl record album
