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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A nice bit of funky organ work from Jimmy McGriff! The record's recorded with a slightly larger than usual band – but that's a good thing here, as players like Horace Ott, Cliff Davis, Richard Evans, and Everett Barksdale provide a strong bouncy groove, which Jimmy uses to solo over the top ... LP, Vinyl record album
Later work by McGriff – back in a straight soul jazz style, ala his earlier 60s work, cut perhaps in a mellower tone, like some of his more laidback albums for Solid State. Players include Harold Vick, Bill Easley, Bill Hardman, and Jimmy Ponder – and titles include "All Day ... LP, Vinyl record album
A hard and heavy Hammond jazz classic – and one of Jimmy McGriff's greatest recordings of the 60s! The title track's a new rendition of Ray Charles' famous tune "I've Got A Woman" – recorded here in a rolling, vamping groove that must have blown the woofer out of countless ... LP, Vinyl record album
An early 70s gem from Jimmy McGriff! Jimmy's grooving with a larger group here – but in a funky 70s mode that makes for a great update of the rawer sound he laid out on some of his Sue sides in the 60s. The best tracks are the covers of 70s soul material – like "Shaft", ... LP, Vinyl record album
Beautiful free-flowing work by Cecil Taylor – and a key album to document his solo piano genius in the 70s! The album's an extended live performance, recorded at Montreux in 1974 – in an open, unbridled style that really shows the open spirit in Taylor's work at the time. The set ... LP, Vinyl record album
Herbie Nichols was one of the greatest piano players of the 20th Century, and his best work was recorded for Blue Note! You can hear just about every track he recorded for the label in this set (apart from some alternate takes), which is a stunning batch of lively tracks that rank Nichols right up ... LP, Vinyl record album
A seminal early moment from the legendary Albert Ayler – an important session recorded overseas in Copenhagen – where enthusiasm for Ayler's music caught fire more strongly than in the US! The group's got an edge that's maybe even sharper than some of Ayler's ESP material, but no less ... LP, Vinyl record album
One of the gems that Lucky Thompson cut on his return to the US in the mid 60s – and one of the few albums from that time that got wide release! The album's a laidback quartet session that has Lucky blowing both tenor and his new love, soprano sax, with a group that includes Hank Jones on ... LP, Vinyl record album
Ornette and his 80's Prime Time group, recorded live at the Caravan of Dreams in Houston, in 1985. The band features 2 guitars (Bern Nix and Charles Ellerbee), 2 basses (Jamaaladeen Tacuma and Albert MacDowell), and 2 drummers (Denardo Coleman and Sabir Kamal). Ornette's out front, playing in ... LP, Vinyl record album
80s recording of an extended harmolodic composition for four string instruments and percussion (played by Denardo Coleman) in honor of R. Buckminster Fuller. The piece runs the length of the entire LP, and has lots of nice angular moments that ring with the same sort of harmelodic groove as some ... LP, Vinyl record album