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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Seminal 70s work from this great singer/songwriter – produced and arranged by Chip Taylor himself, with all the open freedoms that Warner had to offer at the time! Titles include "Sleepy Eyes", "I've Been Tied", "You're Alright Charlie", "Gettin Older ... LP, Vinyl record album
Always-great work from Chip Taylor – arranged and produced by the man himself, with titles that include "Gasoline", "Lightning", "You Didn't Get Here Last Night", "Swear To God Your Honor", "Londonerry Company", "Home Again", and ... LP, Vinyl record album
Singer/songwriter Chip Taylor at the height of his powers – finding a very comfortable space in the realm of mid 70s country rock – a genre he helped inspire with his own well-written songs for others in the 60s! The set's got a vibe that's maybe a bit more adult than some of Chip's ... LP, Vinyl record album
Leonard Cohen's debut for Columbia, one of the most astounding first albums of its era, and to this day a towering achievement in both songwriting and myth making! The production is that perfectly haunting mix of sparseness and grandeur, with Cohen's lyricism piercing and penetrating wonderfully ... LP, Vinyl record album
We've gotta admit, this record sounds a lot better with the passing of time than we might have expected – thanks in part to some totally sweet Fender Rhodes, used often, and in all the best ways to pepper the tunes! Barry Beckett and Bob James handle the keys – and there's even some ... LP, Vinyl record album
A strange and ultimately very fun set from Nina Hagen circa '83 – with production by Giorgio Morodor that's clearly geared towards an 80s mainstream club soul sound – and the record turns out to be all the weirder because of it! Nina's vocals are as anti-pop as they come, and Morodor's ... LP, Vinyl record album
Titles include the classic "Sounds Of Silence" – plus "Richard Cory", "A Most Peculiar Man", "We've Got A Groovy Thing Going", "I Am A Rock", "Leaves That Are Green", "Blessed", "Kathy's Song", and the beautiful ... LP, Vinyl record album
Beautiful work from The Cyrkle – post-folk, partly-sunshine, and a treasure trove of really groovy tunes! The record features a fair number of covers, but they're really redone here by the group in a mode that mixes youthful harmonies with slight acoustic guitar touches and some occasional ... LP, Vinyl record album
Moody, folksy work from the Canadian duo of Fraser & Debolt – helped here by a bit of extra work on fiddle from Ian Guenther! The sound is often quite spare – acoustic guitars and vocals, with little else more than the guest fiddle – in a style that's nicely rough-edged, ... LP, Vinyl record album
Titles include "Kodachrome", "Loves Me Like A Rock", "Take Me To The Mardi Gras", "One Man's Ceiling Is Another Man's Floor", "American Tune", "Was A Sunny Day", and "Something So Right". LP, Vinyl record album