Cannonball Adderley : Cannonball Adderley & Friends Vol 2 (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Cannonball Adderley & Friends Vol 2

LP (Item 74937) Capitol, 1960s — Condition: Near Mint-
Temporarily Out Of Stock

LP, Vinyl record album

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A really great testament to the wide warmth and many talents of Cannonball Adderley – as well as a portrait of just how much he'd touched the world of jazz in the short time he was on the planet! The set brings together collaborations between Cannon and a variety of artists – pulled from both his Capitol and Riverside years – with a lineup that includes Sergio Mendes, Nancy Wilson, Ernie Andrews, Charles Lloyd, Yusef Lateef, Eddie Vinson, and Bobby Timmons – all working with Adderley in a mix of modes that include vocal jazz, soul jazz, and even a bit of bossa nova! Titles include "Never Will I Marry", "Big City", "Barefoot Sunday Blues", "Minha Saudade", "A Sleepin' Bee", "Poor Butterfly", "Hold It" and "O Amor Em Paz (Once I Loved)".  © 1996-2024, Dusty Groove, Inc.
(Light blue label pressing in a barcode cover, with a cutout hole & minimal wear.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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