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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little album from Frank Wright – pretty soulful, with an inside vibe that's more in a 70s spiritual soul jazz mode than some of Wright's other work. The title's a pretty strange one – as is the bluesy title track, which features Wright vocalizing a bit. The other numbers are ... LP, Vinyl record album
Great US issue of 2 different albums that Webster recorded in Europe near the end of his life – Blow Ben Blow and For The Guv'nor. The albums were both recorded in 1969, and both with that kind of open-ended European "focus on the master soloist" approach that was gaining favor at ... LP, Vinyl record album
Two of LA's leading soul jazz luminaries – playing head to head in an interesting session that mixes lines on piano and organ! McCann gives the set a good rollicking rhythm, and Holmes' increasing skill on the Hammond makes the set blow out over the top – and the pair get backing by ... LP, Vinyl record album
An unusual session from the heart of Lou Donaldson's return to Blue Note in the late 60s – a mellower date that stands in strong contrast to his funkier albums of the time! As you might guess from the title, there's a lusher feel going on here – one that has Lou's alto sax augmented by ... LP, Vinyl record album
Features Gordon Brisker on tenor and flute – with Tom Harrell on trumpet, John Eidsvoog on keyboards, David Loeb on piano and Rhodes, Bob Bowman on bass, and Peter Donald on drums! LP, Vinyl record album
An unusual record – one that features a few spoken passages by Quincy Jones, Henry Mancini, and Johnny Mathis – plus large ensemble readings of "Three Symphonic Dances" by Claus Ogerman, "An American Concerto" by Pat Williams, and El Gamino" by Dick Grove. ... LP, Vinyl record album
An obscure set from the strong 80s years of the Dutch scene – a group led by JC Tans on tenor, with Boy Raaymakers on trumpet, Wolter Wierbos on trombone, Sean Bergin on alto, and Paul Stocker on baritone. LP, Vinyl record album
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on ... LP, Vinyl record album
Wonderful funky fuzzy moogy! The cover proclaims that this is the "first album of electronic rock" – and although we don't know how true that is, the record's a nice batch of moogy covers – featuring tracks like "Grazin In the Grass", "Aquarius", "Penn ... LP, Vinyl record album