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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Although Kenny Barron's always a heck of a great musician on his own or in a piano trio, we're especially partial to his work in groups with horn players – and this album is a great example of that preference! Kenny first came to fame working with Dizzy Gillespie in the 60s, and since that ... CD
With Franco on trumpet, Mike Brecker on tenor, John Clark on French horn, Kenny Kirkland on piano, Buster Williams on bass, and Daniel Humair on drums. CD
A wonderful setting for the guitar of John Scofield – one that really brings out all the rich chromes of his early work on the instrument! The group's a trio – with Adam Nussbaum on drums and Steve Swallow on bass – and in a way, there's a vibe here that reminds us of some of the ... CD
Sublime solo piano from Randy Weston – just the sort of record to remind us why his skills in such a setting can always be so great! The tunes are filled with energy and rhythm right from the start – spun out in those long African-inspired lines that Randy first forged in the 50s, but ... CD
Barry Harris recorded live in Tokyo – working at the intimate Dug nightclub, with backing from Japanese players Kunimitsuj Inaba on bass and Fumio Watanabe on drums! The style here is in the warmer side of the Harris spectrum – sometimes introspective, sometimes a bit more grooving ... CD
The group here is named Stir Up, and that's definitely what they do alongside the soprano and alto of Sachi Hayasaka – often hitting these full, intense passages of sound – sometimes free, sometimes more rhythmic – served up with a lineup that includes Tatsuya Sato on tenor, ... CD
A record that's noteworthy not just as one of the rare few moments as a leader for drummer Makaya Ntshoko – but also for the great contributions of the members of the group – especially saxophonist Heinz Sauer, who really hits his stride here! Sauer's one of those oft-overlooked ... CD
We always love the tenor of Odean Pope, but we seem to love it especially strongly in a setting like this – a lean trio format that really lets Pope step out and do his thing – carving all these strong, bold solos over the lean backing from Tyrone Brown on bass an Mickey Roker on drums! ... CD
With Count Basie, Benny Carter, Edmond Hall, Sidney Bechet, Albert Ammonsd, James P Johnson, Hot Lips Page, Sidney De Paris, Coleman Hawkins, Louis Armstrong, Lester Young, and Eddie Heywood. CD