This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
James Brown gets a new injection of life at the end of the 80s – thanks to a collaboration here with Full Force, who wrote, arranged, and produced the album! The groove here is often more in a Full Force mode than you might expect from James – a full-on 80s urban sound, filled with ... CD
Quite possibly THE James Brown album of the mid 60s – a solid set of hard-grooving tracks, based around the monster title hit "I Got You (I Feel Good)"! The tune's one of those numbers that has been used a gajillion times over the years in commercials and promos – but which ... CD
A bit of a comeback for James Brown – a mid 80s outing recorded with Dan Hartman, who gives the record a "contemporary" sound that's definitely a great way to slide James in with the younger crowd at the time! The style's still funky, but has more street soul elements too – ... CD
James Brown makes a big nod to the younger generation here – by letting Jazzie B and C&C produce some of the tracks on the record – all with the expected contemporary funk vibe you might expect! The best numbers here are really those done by Jazzie B – as they've often got a ... CD
Not a classic from the early years of James Brown – but a later greatest hits package that's gone onto have legendary status – given all the key cuts it includes! Most numbers here are the shorter single versions – and together, they pack a hell of a punch – showing an ... CD
A mid 70s classic from Donna Summer – and a follow up to her huge, chart-toppiong Love To Love You Baby – and once again produced by Giorgio Moroder! The record didn't hit the commercial heights of the preceding one, though they did utilize the same sort of Euro-disco approach – ... CD
Essential material by this funky soul legend – even if you've got his one and only album! This is an excellent compilation of the very hard to find work of this James Brown partner and singer, with a track list of 22 cuts that includes lots of cool rare funky 45 tracks, and a number of ... CD
We like the fact that Troop's hairdresser gets credit on the back of this LP, even though they're all wearing gheri curls. Given the hairstyle, we probably don't need to tell you much about the sound of this Chuckii Booker and Gerald Levert produced new jack LP. Includes "Mamacita", ... CD
An insane classic from one of the wildest funk bands ever! According to reports, George Clinton and the band cut this set in a marathon 48-hour stretch in the studio – working like mad all night and day long, after dropping a motherlode of some mighty fine acid! We don't know if that story's ... CD