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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A hard-wailing jam session from the original JATP series – a blistering recording of the 1947 Midnight Concert at Carnegie Hall, featuring players that include Howard McGhee, Illinois Jacquet, Bill Harris, Flip Philips, Hank Jones, and Ray Brown. The LP includes one long jam on "Perdido& ... 78 RPM, Vinyl record
One of the first, and most famous, of Norman Granz's landmark JATP sessions – featuring an extended reading of "How High The Moon" that was a bit of jazz history itself! The session was recorded at Syria Mosque Auditorium in Pittsburgh – and featured players that include Buck ... 78 RPM, Vinyl record