This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
An incredible album from Arthur Prysock – an amazing set of mature love modes, set to beautiful backings by Mort Garson! The album's easily Prysock at the height of his 60s sophistication – a complete reworking of the This Is My Beloved modes away from more mainstream readings, in ways ... CD
A beautiful classic from mid 60s Verve – and the kind of a session that we wouldn't have expected to come off so well! In a style they were using with older artists at the time, Verve brought Ella and Duke into the studio together – with Duke's band and compositions providing the ... CD
One of Oscar Brown's great ones, recorded live at the Cellar Door in Washington before an enthusiastic crowd of hipsters! The record's a beautiful mix of soul, jazz, and folk – in the same Chicago tradition that spawned Terry Callier (although Brown's style has a bit more of a "show" ... CD
A fantastic pairing of the vocals of Abbey Lincoln and the tenor sax of Stan Getz – one that's captured here for the very first time on record, at a point that's just a few months shy of Stan's too-early death! Both players had really grown a lot during the 80s – and the match here is ... CD
Very groovy set of vocal tracks recorded by Mel during his years with Verve, and featuring some haunting arrangements by Russ Garcia. The title track – "Swingin' On The Moon" – is a goofy uptempo number of the sort that sometimes doesn't work, but which sounds very nice here, ... CD
Some of the best material Slim Gaillard ever recorded! Although he's best known for his Verve work, and for his early 40s sessions in LA – these 1959 recordings for Dot have Slim hitting a groove that's far tighter than usual, with a better jazz influence, and a much freer approach to ... CD
Easily the greatest album that vocalist Mark Murphy has recorded in years – and a surprising departure from a lot of his recent work! Murphy did the album in collaboration with German trumpeter Til Bronner – a player we mostly know for his own smoothly soulful, and often-grooving ... CD
With special guest Gary Bartz on alto sax! Titles include "Just A Little Lovin", "Drown In My Own Tears", "The Sun Died", "Bye Bye Love", "Green", "I Got A Man", and "Light Out Of Darkness". CD
Jimmy sings with the group of Jay McShann – which features Seldon Powell, Hilton Jefferson, Heywood Henry, and Ray Copeland. Titles include "Jumpin The Blues", "Hootie Blues", "Confessin The Blues", "Froggy Bottom", and "Blue Monday Blues". CD