This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A great live classic from the Cannonball Adderley Sextet of the early 60s – that famous group that included Nat Adderley on cornet, Yusef Lateef on tenor and flute, Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums! Tracks are long, and these guys are really on fire in a live ... CD
A legendary concert – recorded at Massey Hall in Toronto, with a previously-unmatched quintet of superstar bop players – Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums – all coming together in a performance ... CD
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... CD
A landmark album from Sonny Rollins – a record that really lives up to its title, as it shows the maturing tenorist really finding his own voice in jazz – a sound that's unlike any other! Rollins' Riverside work sometimes seems to get overlooked sometimes in light of his freer late 50s ... CD
A brilliant title for this brilliant album from Thelonious Monk – a set that really has him coming back strongly in the second half of the 50s – with a new talent for arrangements that really goes past his previous work! Monk's piano and compositions are every bit as great as before ... CD
A sweet Tommy Flanagan trio date – recorded live at the Montreux Jazz Festival in 1977, but with a warmth and intimacy that's like catchy Tommy at a small club date! Trio members include Keter Betts on bass and Bobby Durham on drums – but the focus is very strongly on Flanagan's piano ... CD
A solid collection that brings together 21 tracks from Monk's Prestige and Riverside albums. Features work recorded with Sonny Rollins, Art Blakey, Max Roach, John Coltrane, and Johnny Griffin – plus some excellent solo material too! CD
The session's billed as "very personal treatments of great standards" – and it's a great twist on familiar material, all given the Thelonius touch! There's less of Monk's creative composition and angular group arrangements going on here – and instead, the album's almost a ... CD
The title may say "standard", but with Coltrane at the helm, the record is anything but! Sure, the tunes are all familiar ones, but the presentation here is a far cry from mainstream piano jazz of the 50s – as John's working in a group with the Red Garland trio for rhythm, as well ... CD
One of the first moments of genius from a young Pharoah Sanders – a set that builds on the energy of John Coltrane's Love Supreme generation – but takes it in a much more expansive direction! The album's got a sense of majesty that's years ahead of its time – righteous, positive, ... CD
One of the first-ever sessions as a leader from west coast bassist Red Mitchell – a great start to a career that definitely showed that Red was always a cut above the usual rhythm player! The album features some very nice arrangements that open things up in a west coast mode that's never too ... CD