Max Roach : Deeds Not Words (with bonus track) (CD) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Deeds Not Words (with bonus track)

CD (Item 743573) Riverside/OJC, 1958 — Condition: Used
Out Of Stock

CD

✈
A seminal set from Max Roach – the start of his more righteous stretch in jazz, as you might guess from the title of the album! At some level, the record's got a bit of the feel of the post-Clifford Brown Mercury years from Roach – but at another, it's stretching out towards the directions Max would explore fully on the Candid, Impulse, and Fantasy labels in the 60s – an approach to hardbop that often really pushes its limits – not content to simply set up solos for the players, and instead moving with a much more forceful energy overall! Group members include Booker Little on trumpet, George Coleman on tenor, Ray Draper on tuba, and Art Davis on bass – and the lack of a piano makes for a very exciting sound! The album's got 2 great originals by Bill Lee – "Jodie's Cha Cha" and "Deeds Not Words" – plus Draper's classic "Filide", and the groundbreaking "Conversation" – a very cool solo by Roach on the drums! CD also features the bonus track "There Will Never Be Another You" – with Oscar Pettiford on bass instead of Davis.  © 1996-2024, Dusty Groove, Inc.
(OJC pressing.)

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We only use the grade "Used CD" for non-new CDs. This all-encompassing grade was chosen it because we only buy and offer used CDs in the best possible condition.

When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we will describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.

All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can request a return for a full refund.


You might be interested


Max Roach

Drums Unlimited
Atlantic (Japan), 1966. Used
The drums are certainly unlimited here – and the album's a really unique one, in that it shows Max Roach in 2 different settings – one with a group, and one that's simply solo! One batch of tracks has Max in the company of a tight group of soul jazz players like Freddie Hubbard, Roland ... CD

Max Roach

Max
Argo/MCA (Japan), 1958. Used
Killer set of bop tracks recorded by Max and other NY bop heavy hitters – like Hank Mobley and Kenny Dorham – plus a guest appearance by Ramsey Lewis on piano, in one of his few non-Chicago, non-trio sides! The record's got that great kind of energy that Roach could hit when he really ... CD
Atlantic (Japan), 1965. Used
A very unusual album from Max Roach – and one that continues his great 50s trend of seeking out some of the freshest players in jazz! The set's a rare trio outing for Max – and it features some incredible piano work by a musician named Hasaan – a player we only know from this set ... CD
Mercury, 1957/1958. Used
A killer batch of hardbop tracks – no-nonsense, straight-ahead, and with all the fire of Roach's work with Clifford Brown! The set was recorded a few years after the untimely death of the Brown/Roach group – and although the album's got "Charlie Parker" in the title, there's ... CD
Prestige/OJC, 1969. Used
A great little return to form for Tal Farlow – his first recording in a decade, and a rare Prestige side that features a groovy quartet with John Scully on piano, Jack Six on bass and Alan Dawson on drums. There's a different vibe here than Tal's work for Verve – a bit more open, but ... CD

Art Pepper

Winter Moon
Galaxy/OJC, 1980. Used
A beautiful, late "with strings" session from Art Pepper – with piano by Stanley Cowell and Cecil McBee on bass! CD
Pablo/OJC, 1975. Used
Way more than just a Gershwin Songbook sort of record – thanks to some tremendous blowing here by Zoot Sims, who's mellowed nicely with age, and comes up with a wonderful sound for the record! It may just be us, but there seems to be a lot more soul in Zoot's horn than ever before – ... CD
Prestige/OJC, 1961. Used
Classic set of European recordings – made by Dolphy in 1961, before the fateful 1964 European tour that would later claim his life. The group features Swedish piano giant Bent Axen, plus a rhythm section that includes Erik Moseholm on bass and Jorn Elniff on drums. Like most Dolphy ... CD
Pablo/OJC, 1981. Used
Not sure exactly why Zoot's got some Gemini wishes in the title – but the album's a great date, one of his later pairings with pianist Jimmy Rowles – a beautiful partner for the laidback tone that Sims adopted at this stage in his career! The album's got an understated eloquence that ... CD
Riverside, 1959. Used
A strong early winner from Blue – recorded with an all-star group that includes Curtis Fuller, Jimmy Heath, Wynton Kelly, Sam Jones, and Philly Joe Jones. Mitchell's not necessarily the leader – Benny Golson and Jimmy Heath handled the arrangements – but the group overall is ... CD

Art Pepper & George Cables

Goin' Home
Galaxy/OJC, 1982. Used
A great spare set from Art Pepper – a date that features Art on alto and clarinet, with piano from George Cables. CD
Prestige/Moodsville/OJC, 1960. Used
Wonderful late work by Coleman Hawkins – a player who was very much "at ease" with himself at the time, and opened up tremendously on albums like this. The format is beautiful – simple small group backings by Tommy Flanagan, Wendell Marshall, and Osie Johnson – with ... CD
 



⇑ Top